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Baggage Claim

Joseph McAleer
Source: Catholic News Service

Jill Scott, Adam Brody, and Paula Patton star in a scene from the movie "Baggage Claim."
 A good man is hard to find, especially at 30,000 feet. So a determined flight attendant searching for a soul mate among her passengers discovers in the romantic comedy "Baggage Claim" (Fox Searchlight).

Director David E. Talbert ("First Sunday"), who also adapted the screenplay from his 2005 novel, charts an old-fashioned, predictable course with some thematic turbulence along the way. Though riddled with cliches and overly sentimental, "Baggage Claim" is ultimately a trip worth taking. It's that Hollywood rarity, a film that upholds and promotes the institution of marriage.

Montana Moore (Paula Patton) thinks she's finally found Mr. Right in wealthy businessman Graham (Boris Kodjoe). Unfortunately, on the eve of their "engagement," he turns out to be married.

"My relationships have never been cleared for takeoff," Montana laments to William (Derek Luke), her neighbor and friend since childhood. "I don't want to end up alone in a house full of cats."

Her mother, Catherine (Jenifer Lewis), has the opposite problem, having been married five times.

When Montana's younger sister, Sheree, (Lauren London), announces her engagement, Montana is determined to make it to the altar at last (and shed her relationship "baggage"). With the help of colleagues Gail (Jill Scott) and Sam (Adam Brody), Montana arranges in-flight rendezvous' with a series of ex-boyfriends, hoping to rekindle a past romance.

We follow Montana's slapstick adventures in the air and on the ground as she reunites with, among others, record producer Damon (Tremaine "Trey Songz" Neverson), rising politician Langston (Taye Diggs), and millionaire Quinton (Djimon Hounsou).

To her credit, Montana resists the temptation to settle for second-best and a life of submission and exploitation. She's looking for true love, a lifelong commitment, and mutual respect, and is willing to wait. Unfortunately, she's not always so patient where sex is concerned.

In the end, Montana realizes that staying married is a bigger challenge than just getting hitched. For that reason alone, "Baggage Claim" deserves a test flight.

The film contains implied nonmarital sex, mature references, including to homosexuality and contraception, a same-sex kiss, innuendo and some crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

Joseph McAleer is a guest reviewer for Catholic News Service.

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Marie-Rose Durocher: Canada was one diocese from coast to coast during the first eight years of Marie-Rose Durocher’s life. Its half-million Catholics had received civil and religious liberty from the English only 44 years before. When Marie-Rose was 29, Bishop Ignace Bourget became bishop of Montreal. He would be a decisive influence in her life. 
<p>He faced a shortage of priests and sisters and a rural population that had been largely deprived of education. Like his counterparts in the United States, he scoured Europe for help and himself founded four communities, one of which was the Sisters of the Holy Names of Jesus and Mary. Its first sister and reluctant co-foundress was Marie-Rose. </p><p>She was born in a little village near Montreal in 1811, the 10th of 11 children. She had a good education, was something of a tomboy, rode a horse named Caesar and could have married well. At 16, she felt the desire to become a religious but was forced to abandon the idea because of her weak constitution. At 18, when her mother died, her priest brother invited her and her father to come to his parish in Beloeil, not far from Montreal. For 13 years she served as housekeeper, hostess and parish worker. She became well known for her graciousness, courtesy, leadership and tact; she was, in fact, called “the saint of Beloeil.” Perhaps she was too tactful during two years when her brother treated her coldly. </p><p>As a young woman she had hoped there would someday be a community of teaching sisters in every parish, never thinking she would found one. But her spiritual director, Father Pierre Telmon, O.M.I., after thoroughly (and severely) leading her in the spiritual life, urged her to found a community herself. Bishop Bourget concurred, but Marie-Rose shrank from the prospect. She was in poor health and her father and her brother needed her. </p><p>She finally agreed and, with two friends, Melodie Dufresne and Henriette Cere, entered a little home in Longueuil, across the Saint Lawrence River from Montreal. With them were 13 young girls already assembled for boarding school. Longueuil became successively her Bethlehem, Nazareth and Gethsemani. She was 32 and would live only six more years—years filled with poverty, trials, sickness and slander. The qualities she had nurtured in her “hidden” life came forward—a strong will, intelligence and common sense, great inner courage and yet a great deference to directors. Thus was born an international congregation of women religious dedicated to education in the faith. </p><p>She was severe with herself and by today’s standards quite strict with her sisters. Beneath it all, of course, was an unshakable love of her crucified Savior. </p><p>On her deathbed the prayers most frequently on her lips were “Jesus, Mary, Joseph! Sweet Jesus, I love you. Jesus, be to me Jesus!” Before she died, she smiled and said to the sister with her, “Your prayers are keeping me here—let me go.” </p><p>She was beatified in 1982.</p> American Catholic Blog It is in them [the saints] that Christian love becomes credible; they are the poor sinners’ guiding stars. But every one of them wishes to point completely away from himself and toward love…. The genuine saints desired nothing but the greater glory of God’s love… <br />—Hans Urs von Balthasar

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