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ON FAITH & MEDIA View Comments

Rush

By
John Mulderig
Source: Catholic News Service


Chris Hemsworth and James Hunt star in a scene from the movie "Rush."
The 1976 Formula One racing season provides the backdrop for the fact-based drama "Rush" (Universal).

As he portrays the rivalry between that year's two leading drivers—freewheeling British playboy James Hunt (Chris Hemsworth) and obsessively disciplined Austrian Niki Lauda (Daniel Bruhl)—director Ron Howard skillfully ratchets up the suspense, and the foreboding.

Yet, as scripted by Peter Morgan, Howard's film presents audiences with a range of morally unsettling elements as well as with an emotionally wrenching sequence involving gory wounds. Accordingly, it makes appropriate viewing neither for the squeamish nor for those lacking in maturity and discernment.

Hunt's dissolute ways draw his relentlessly focused chief competitor's jealousy and resentment; while Lauda's humorless Teutonic temperament becomes the target of Hunt's contempt. Recklessly, the two contenders spur each other on to ever more dangerous tactics.

Off the track, in a bid to mute his own excesses, Hunt impulsively proposes to high-profile model Suzy Miller (Olivia Wilde). Though their union reins in his alley-cat impulses, it does nothing to curb his drinking or his self-centeredness, and the stage is set for future conflicts.

Lauda, meanwhile, falls for chance acquaintance Marlene (Alexandra Maria Lara), a fellow German-speaker who knows nothing, initially, of his fame as a racer. Though their romance is a predictably low-key affair, events prove their connection durable, Lauda's prickly personality notwithstanding.

The movie's climax highlights the folly of Hunt and Lauda's safety-disdaining feud. Still, viewers committed to the sanctity of life will note that the prospect of some fatal disaster is precisely what imbues both their sport—and this picture about it—with the dynamics of high-stakes drama.

As for the sexual escapades that make up a significant aspect of Hunt's private life, they're presented not only unblinkingly, but in a way that tends to glamorize them as well. Such bedroom scenes, however, take up only a tiny fraction of the running time.

Though it's equally fleeting, and set within the context of an extremely stressful situation, an exchange of dialogue showing one central character's obscenely expressed aversion to the ministrations of a Catholic priest can hardly fail to give offense to those who cherish the faith.

In the larger scheme of things, though, Hunt and Lauda's respective fates, detailed before the final credits roll, can be taken as a cautionary tale—one that would seem to vindicate moderation over decadence.

The film contains strong sexual content—including graphic casual sexual activity, an aberrant situation, and upper female and rear nudity—drug use, gruesome medical images, brief harsh violence, an instance of highly irreverent humor, an adultery theme, about a half-dozen uses of profanity and frequent rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Exaltation of the Holy Cross: Early in the fourth century St. Helena, mother of the Roman Emperor Constantine, went to Jerusalem in search of the holy places of Christ's life. She razed the second-century Temple of Aphrodite, which tradition held was built over the Savior's tomb, and her son built the Basilica of the Holy Sepulcher over the tomb. During the excavation, workers found three crosses. Legend has it that the one on which Jesus died was identified when its touch healed a dying woman. 
<p>The cross immediately became an object of veneration. At a Good Friday celebration in Jerusalem toward the end of the fourth century, according to an eyewitness, the wood was taken out of its silver container and placed on a table together with the inscription Pilate ordered placed above Jesus' head: Then "all the people pass through one by one; all of them bow down, touching the cross and the inscription, first with their foreheads, then with their eyes; and, after kissing the cross, they move on." </p><p>To this day the Eastern Churches, Catholic and Orthodox alike, celebrate the Exaltation of the Holy Cross on the September anniversary of the basilica's dedication. The feast entered the Western calendar in the seventh century after Emperor Heraclius recovered the cross from the Persians, who had carried it off in 614, 15 years earlier. According to the story, the emperor intended to carry the cross back into Jerusalem himself, but was unable to move forward until he took off his imperial garb and became a barefoot pilgrim.</p> American Catholic Blog Just as sin came into the world through Eve’s no to God, salvation came into the world through Mary’s yes. She is “blessed” not just among women but among all of humanity. We see in Mary the perfect disciple, the perfect humility, the perfect obedience.

 
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