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ON FAITH & MEDIA View Comments

Red 2

By
Joseph McAleer
Source: Catholic News Service


Mary-Louise Parker, Bruce Willis and John Malkovich star in a scene from the movie "RED 2."
Those "retired and extremely dangerous" (RED) secret agents are back on the case in "RED 2" (Summit), a lively sequel to the 2010 film based on the graphic novels by Warren Ellis and Cully Hamner.

In a summer multiplex filled with superheroes and cartoon characters, "RED 2" is a refreshing change of pace for the more mature moviegoer, as a gaggle of (very human) senior citizens shows off before their younger and fitter colleagues, battling to save the world from nuclear annihilation.

Having cheated death in the first film, ex-CIA agent Frank Moses (Bruce Willis) is adjusting to a quiet life with his kooky girlfriend, Sarah (Mary-Louise Parker). Whether these two were ever destined for an Ozzie-and-Harriet existence is up for grabs.

Before long, Frank is contacted by his former partner, Marvin (John Malkovich). There's trouble afoot, and it involves a nuclear bomb.

Ah, not just any bomb. Codenamed "Nightshade," it is the ultimate weapon, designed by mad scientist Bailey (Anthony Hopkins). It's made of "red mercury," which renders the portable device undetectable. Word is, it's buried under the Kremlin, and set to detonate.

The Americans want it found, as do the Russians and the British. The chase is on, with Sarah along for the ride, anxious to share the experience with her beau.

"Let's face it, Colombo," she tells Frank. "Things were getting a little stale."

Joining the pursuit across three continents are some of the world's best assassins: Victoria (Helen Mirren), an elegant British spy; Katja (Catherine Zeta-Jones), a super-sexy Russian agent and Frank's former flame; and Han (Byung Hun Lee), a killer from Hong Kong who can make a deadly weapon out of origami.

While each is initially contracted to kill Frank and Marvin, who are falsely accused of a cover-up, allegiances switch as double-crosses are exposed.

Director Dean Parisot ("Galaxy Quest") keeps it all light and silly amid the mayhem with lots of witty repartee and innuendo.

"I'm the queen of England!" screeches Victoria, bewigged and crowned, as she tries to gain entry to a mental institution, playing on Mirren's many impersonations of British monarchs.

Still, "RED 2" must expend more bullets than any film in recent memory. While the violence is mostly gore-free and highly stylized, it nonetheless places this film firmly in the adult camp.

The film contains frequent but largely bloodless violence, brief drug use, and some profane and crude language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Sharbel Makhluf: Although this saint never traveled far from the Lebanese village of Beka-Kafra, where he was born, his influence has spread widely. 
<p>Joseph Zaroun Makluf was raised by an uncle because his father, a mule driver, died when Joseph was only three. At the age of 23, Joseph joined the Monastery of St. Maron at Annaya, Lebanon, and took the name Sharbel in honor of a second-century martyr. He professed his final vows in 1853 and was ordained six years later. </p><p>Following the example of the fifth-century St. Maron, Sharbel lived as a hermit from 1875 until his death. His reputation for holiness prompted people to seek him to receive a blessing and to be remembered in his prayers. He followed a strict fast and was very devoted to the Blessed Sacrament. When his superiors occasionally asked him to administer the sacraments to nearby villages, Sharbel did so gladly. </p><p>He died in the late afternoon on Christmas Eve. Christians and non-Christians soon made his tomb a place of pilgrimage and of cures. Pope Paul VI beatified him in 1965 and canonized him 12 years later.</p> American Catholic Blog Bluntly put, children are amateur and immature observers. In the short term, they aren’t always attracted to even the best of examples. Only as they move beyond childhood do they come to fully appreciate and emulate their parents’ ways. Much of good parenting doesn’t make its mark until years later.

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