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ON FAITH & MEDIA View Comments

Turbo

By
Joseph McAleer
Source: Catholic News Service


Turbo, center, voiced by Ryan Reynolds, is shown in a scene from the animated movie "Turbo."
Aesop's fable of the tortoise and the hare gets a Formula One makeover in "Turbo" (DreamWorks), a rollicking 3-D animated comedy about a garden snail whose wish for super-speed is unexpectedly granted.

Directed and co-written by newcomer David Soren, "Turbo" is a warmhearted family adventure that champions the underdog in the spirit of Rocky Balboa.

In the tomato patch of a suburban Los Angeles home lives a colony of snails, whose daily regimen is to harvest the ripest of fruit for consumption, while avoiding predators like birds, lawnmowers and obnoxious kids. It's a mundane existence from which Theo (voice of Ryan Reynolds) longs to escape.

Theo's passion is speed, and he commandeers the homeowner's VCR at night to watch Grand Prix racing, especially the exploits of champion driver Guy Gagne (voice of Bill Hader).

He takes to heart Guy's mantra, "No dream's too big and no dreamer's too small," much to the chagrin of Theo's more practical-minded brother snail, Chet (voice of Paul Giamatti).

Watching the cars zooming along the freeway one evening, Theo is sucked into the engine of a souped-up drag racer. Doused with chemicals, he undergoes a physical transformation a la Spider-Man. Suddenly, he's capable of speeds exceeding 200 mph -- and adopts a new moniker, Turbo.

Turbo's superpowers are put to good use when he chases a crow that has snatched Chet. He saves his brother, but they find themselves in a down-and-out strip mall anchored by the Dos Bros Tacos shack, run by brothers Angelo (voice of Luis Guzman) and Tito (voice of Michael Pena).

Sensible Angelo manages the failing business, while lazy Tito schemes for new customers. When the snails drop into his lap, he's delighted, as he "races" snails in his spare time. But Turbo is no ordinary snail now, and his super-speed shocks Tito ("Santa Maria!" he exclaims, in the film's sole reference to Christianity) and inspires him to dream big.

Against Angelo's wishes, Tito rallies his fellow shopowners to join him on a cross-country odyssey to enter Turbo in the Indianapolis 500, where he will be pitted against his idol, Guy.

Joining Turbo as his pit crew are a rout of eccentric but similar-minded snails with names like Whiplash (voice of Samuel L. Jackson), Burn (voice of Maya Rudolph), and Skid Mark (voice of Ben Schwartz).

What ensues is a tale of two brothers, human and escargot, and how chasing a seemingly impossible dream strengthens the bonds of love and trust.

Chet, like Angelo, is a realist, concerned for his brother's safety and mental health.

"What will happen if you wake up tomorrow and your powers are gone?" he asks.

"Then I better make the most of today," Turbo replies.

Indeed he does, and this Little Mollusk That Could roars around the track to a thumping soundtrack which includes -- naturally -- Survivor's "Eye of the Tiger" theme from "Rocky III."

Cartoonish action sequences involving menacing birds and car crashes may frighten the smallest youngsters, but "Turbo" is silly and innocent fun for all ages.

The film contains a few perilous situations. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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