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ON FAITH & MEDIA View Comments

The Lone Ranger

By
John Mulderig
Source: Catholic News Service


Johnny Depp and Armie Hammer star in a scene from the movie "The Lone Ranger."
The golden-age radio program that first had America asking, "Who was that masked man?" was a favorite with youngsters, as too was the popular television series it later spawned.

So parents may assume, going in, that "The Lone Ranger" (Disney)—a big-screen attempt to provide an answer to that now 80-year-old question—is a family-friendly project geared to kids. Alas, for a variety of reasons, especially the film's treatment of religion, such an assumption would be dead wrong.

This eccentric and overlong reinterpretation of the familiar story centers not on the crime-fighting frontier hero (Armie Hammer) of the title, but on his faithful Native American companion, Tonto (Johnny Depp). When we first encounter Depp's whimsical Tonto, he's an elderly man living, inexplicably, within a 1930s diorama of the Wild West.

Viewers are invited to feel their first enjoyable shiver of revisionist superiority as they observe that the display case holding Tonto labels him "The Noble Savage." Oh, those insensitive Depression-era lug heads!

The chance visit of a boy in a Lone Ranger outfit provokes a stream of reminiscences from Tonto, during which he recounts the circumstances that initially brought him together with lawyer-turned-lawman John Reid, his future "Ke-mo sah-bee." He also recalls their struggle to capture Butch Cavendish (William Fichtner), a viciously depraved outlaw one of whose crimes was to have a life-altering impact on Reid.

Set primarily amid the race to complete the transcontinental railroad—with Tom Wilkinson playing train company executive Latham Cole, the shady driving force behind that effort—director Gore Verbinski's action comedy offers a warning about the corrupting influence of greed. It also portrays, at least in accurate outline, the victimization of native peoples that resulted from the headlong pursuit of wealth and industrial expansion.

But one of the aspects of European culture that gets trounced is Christianity, with believers shown up as either weaklings or hypocrites.

Early on, one of the former, a Presbyterian church lady, invites Reid to pray with her during a train ride. In response, Reid holds up the book he's been reading on the journey—philosopher John Locke's 1689 text "Two Treatises of Government"—and identifies it as "my Bible."

Later, a cavalry officer who is responsible for massacring Indians repeatedly invokes God while ordering his troops into battle. And Cole, whose villainy becomes increasingly obvious, offers a smarmy grace that shows he uses God to his own purposes. By contrast, and in keeping with Hollywood's current norms, Native American spirituality and values are generally glorified.

Add to these factors Cavendish's taste for human flesh, the played-for-laughs proclivity on the part of one of his accomplices for wearing women's clothes and a series of scenes set in a brothel, and the resulting mix does not recommend itself for youthful—or even casual adult—consumption.

The film contains a negative treatment of Christian faith, considerable action violence with some gore, mature themes, including cannibalism and prostitution, a transvestite character, brief scatological imagery and humor and at least one crass term. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Anthony Zaccaria: At the same time that Martin Luther was attacking abuses in the Church, a reformation within the Church was already being attempted. Among the early movers of the Counter-Reformation was Anthony Zaccaria. His mother became a widow at 18 and devoted herself to the spiritual education of her son. He received a medical doctorate at 22 and, while working among the poor of his native Cremona in Italy, was attracted to the religious apostolate. He renounced his rights to any future inheritance, worked as a catechist and was ordained a priest at the age of 26. Called to Milan in a few years, he laid the foundations of three religious congregations, one for men and one for women, plus an association of married couples. Their aim was the reform of the decadent society of their day, beginning with the clergy, religious and lay people. 
<p>Greatly inspired by St. Paul (his congregation is named the Barnabites, after the companion of that saint), Anthony preached with great vigor in church and street, conducted popular missions and was not ashamed of doing public penance. </p><p>He encouraged such innovations as the collaboration of the laity in the apostolate, frequent Communion, the Forty Hours devotion and the ringing of church bells at 3:00 p.m. on Fridays. </p><p>His holiness moved many to reform their lives but, as with all saints, it also moved many to oppose him. Twice his community had to undergo official religious investigation, and twice it was exonerated. </p><p>While on a mission of peace, he became seriously ill and was brought home for a visit to his mother. He died at Cremona at the age of 36.</p> American Catholic Blog Lord, help me make my life more about you and less about me. May others see you in me—your image and likeness. Teach me ways to increase my time with you, my service to others, and my love for my family, for strangers, and for the poor. You are the light in the darkness. With each new day, may we be light to one another.

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