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ON FAITH & MEDIA View Comments

The Internship

By
John P. McCarthy
Source: Catholic News Service


Owen Wilson and Vince Vaughn star in a scene from the movie "The Internship."
Director Shawn Levy's comedy "The Internship" (Fox) has a topical premise along with two likable stars. Humor and inventiveness, on the other hand, are in short supply.

Adding insult to comedic injury, the belabored effort has enough bad language and offensive material to cancel out its pertinent message concerning the virtues of adaptability and perseverance, especially during a difficult economic period.

Vince Vaughn and Owen Wilson play Billy McMahon and Nick Campbell, middle-aged watch salesmen who suddenly find themselves unemployed and with little to show for their years of enthusiastic peddling. Evidently, now that most everybody carries an electronic device that displays the time, the demand for watches has cratered.

Moreover, Billy and Nick may be skilled shills, yet their computer illiteracy makes them virtual dinosaurs in the digital age.

At a loss for how to carry on professionally and personally, they apply for the highly competitive internship program at corporate giant Google. It's the domain of tech-savvy college-age kids, but Billy and Nick are chosen for diversity's sake -- precisely because they don't fit the typical profile.

Arriving at Google's Silicon Valley campus, the duo bands together with three socially awkward whizzes in a competition to see which team of interns will be offered paying jobs at summer's end.

Essentially a long advertisement for Google, "The Internship" is rarely laugh-out-loud funny and is chock-full of inevitabilities. These include a plethora of movie references, a rollicking sports sequence, romance for Nick -- who woos Dana Sims (Rose Byrne), a senior Google employee -- and a night on the town that enables the old dogs to show the young pups how to party.

Working from a script by Vaughn and Jared Stern, Levy strains to wring humor from the generational and cultural divides that separate Billy and Nick from the other wannabe "Googlers."

The movie is partially redeemed by its upbeat message about self-actualization in the face of rampant obsolescence caused by seismic shifts in the economic landscape. Were it not for the steady stream of vulgarity and off-color references, it could serve as a guide to successful career reinvention.

That said, Vaughn and Wilson are among the most appealing of the many actors routinely portraying children in grown men's bodies. A cameo by Will Ferrell, the poster boy for sophomoric screen antics, is a reminder of how much cruder "The Internship" might have been.

Technology may be advancing by leaps and bounds -- and, ideally, the workforce along with it -- but film comedies seem stuck in the Stone Age.

The film contains an implied premarital encounter, several uses of profanity, at least one rough term, frequent crude and crass language, considerable innuendo and passing approval of a same-sex relationship. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John P. McCarthy is a guest reviewer for Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog When we suffer, we don’t just come to understand the pain of Christ’s cross more, we come to understand the depth of God’s love for us: that he would endure such pain for us—in our place. We have a God who endured death so we would never have to do so.

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