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ON FAITH & MEDIA View Comments

After Earth

By
John Mulderig
Source: Catholic News Service


Jaden Smith and Will Smith star in a scene from the movie "After Earth."
You can't go home again. So, at least, the title of a 1940 novel by Thomas Wolfe admonishes us. That's a bit of advice the characters in the grueling sci-fi adventure "After Earth" (Columbia) -- not to mention the real-life folks behind this plodding project -- would have done well to heed.

Set 1,000 years after humans have been forced to evacuate their environmentally despoiled home planet -- get the message? -- director and co-writer (with Gary Whitta) M. Night Shyamalan's coming-of-age drama finds its two leads inadvertently revisiting this crazy old world by way of a crash landing during an intergalactic military mission.

Needless to say they don't exactly get a warm welcome.

While the absence of homo sapiens has permitted nature to return to a flourishing state, it's now full of people-averse predators. That's bad news for Gen. Cypher Raige (Will Smith) and, even more so, as things develop, for his teen son, Kitai -- played by Smith's real-life son, Jaden.

What with their downed spacecraft scattered all over the once-again-wild landscape -- gosh darn those destructive meteor showers! -- and the rest of its crew dead, and Dad temporarily disabled ... well, the only way out of this pickle is for Kitai to embark on a maturity-earning quest to retrieve the signal beam that represents the surviving duo's only hope of rescue.

It's not a journey on which most viewers will enjoy accompanying him. Think lions and tigers and bears sounded bad? How about poisonous leeches, a polluted atmosphere requiring inhaler hits every few hours and a ticked-off raptor with the approximate wingspan of a 707? As for a purely fictional breed of snarling monsters that prey on human fear -- called the Ursa -- the less said about them the better.

The filial relationship at the heart of the proceedings -- Cypher allowed Kitai to tag along on the expedition in the first place so the two could bond -- is ultimately characterized by self-sacrificing love. This, despite the emotional conflict resulting from a family tragedy we glimpse in flashbacks.

But the warrior code by which Cypher lives -- and which he strives to instill in Kitai -- seems to have more in common with Zen Buddhism than with the values promoted in Scripture.

Thus Cypher repeatedly insists that Kitai become intensely focused on, aware of, and at one with his surroundings. And the only way to overcome those pesky Ursa is to "ghost," that is, to render yourself entirely free of fear.

The script's glib portrayal of the bonds uniting veterans, moreover, will strike at least some moviegoers as either jingoistic or exploitative.

The film contains much action violence, some of it bloody, gory medical images, a stifled crude term and a few mildly crass expressions. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.





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Visitation: This is a fairly late feast, going back only to the 13th or 14th century. It was established widely throughout the Church to pray for unity. The present date of celebration was set in 1969 in order to follow the Annunciation of the Lord (March 25) and precede the Nativity of John the Baptist (June 24). 
<p>Like most feasts of Mary, it is closely connected with Jesus and his saving work. The more visible actors in the visitation drama (see Luke 1:39-45) are Mary and Elizabeth. However, Jesus and John the Baptist steal the scene in a hidden way. Jesus makes John leap with joy—the joy of messianic salvation. Elizabeth, in turn, is filled with the Holy Spirit and addresses words of praise to Mary—words that echo down through the ages. </p><p>It is helpful to recall that we do not have a journalist’s account of this meeting. Rather, Luke, speaking for the Church, gives a prayerful poet’s rendition of the scene. Elizabeth’s praise of Mary as “the mother of my Lord” can be viewed as the earliest Church’s devotion to Mary. As with all authentic devotion to Mary, Elizabeth’s (the Church’s) words first praise God for what God has done to Mary. Only secondly does she praise Mary for trusting God’s words. </p><p>Then comes the Magnificat (Luke 1:46-55). Here Mary herself (like the Church) traces all her greatness to God.</p> American Catholic Blog Someone once told Pope Francis that his words had inspired him to give a lot more to the poor. Pope Francis’s response was to challenge the man not to just give money, but to roll up his sleeves, get his hands dirty, and actually reach out and help.

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