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ON FAITH & MEDIA View Comments

Mud

By
John Mulderig
Source: Catholic News Service


Jacob Lofland, Matthew McConaughey and Tye Sheridan star in a scene from the movie "Mud."
Set in rural Arkansas, along the banks of the Mississippi, writer-director Jeff Nichols' leisurely coming of age story "Mud" (Lionsgate/Roadside) owes an obvious debt to Mark Twain's classic tale "The Adventures of Huckleberry Finn."

Realistically updating some of the most famous passages of Twain's iconic story, Nichols' script uses the template of what is arguably the Great American Novel to explore delicate moral shadings, the nature of friendship and the interplay of innocence and disillusionment in the mind of one of its main characters.

The still-shaping consciousness in question belongs to 14-year-old Ellis (Tye Sheridan). Gentle and idealistic, Ellis is opposites-attract best friends with peppery Neckbone (Jacob Lofland). With no parents on the scene -- he's being raised by his caring but hardly authoritative Uncle Galen (Michael Shannon) -- Neckbone is far less cautious than Ellis, but also more cynical.

Together, the two boys like to escape their hardscrabble environment by taking motorboat outings on the river. During one such journey, they discover a man named Mud (Matthew McConaughey) living on an otherwise uninhabited island in the waterway.

It emerges that Mud is a fugitive. Reared nearby, he's returned to the area on the run from his mysterious, but clearly freighted past.

Drawn by the stranger's charismatic personality and eccentric ways, the initially frightened Ellis goodheartedly agrees to help him, bringing him food and keeping his presence a secret. Characteristically, Neckbone takes more convincing, but Mud eventually wins him over as well.

As they assist Mud in refitting a disabled boat so he can make a waterborne getaway to the Gulf of Mexico, Ellis and Neckbone are increasingly drawn into -- and endangered by -- the tangled relationships in their new friend's life. The most significant of these is his obsessive on-again, off-again romance with comely girl-next-door Juniper (Reese Witherspoon).

According to Mud's version of events, the pair first fell for each other while they were still children. And it was his love for Juniper -- and the need to protect her from harm -- that drove Mud to commit the crime that now has both the police and a team of bounty hunters on his trail. He hopes to arrange for Juniper to be with him when he makes his escape.

Disputing Mud's account of all this is one of his few adult allies, Ellis' reclusive neighbor Tom Blankenship (Sam Shepard). Though he sympathizes with Mud, and has been something of a father figure to him in the past, Tom warns Ellis not to be swayed by Mud's charm or too persuaded by his glib discourse.

The complex bond between Mud and Juniper becomes a shifting prism through which Ellis views other relationships in his life.

At home, Ellis is coping with his quarreling parents' (Sarah Paulson and Ray McKinnon) impending divorce. He's also grappling with his puppy love for May Pearl (Bonnie Sturdivant), a sometimes disdainful older girl who's unsure whether, as an exalted high school student, she should lower herself to date a mere ninth grader.

Viewers conversant with scripture will note that the dangerous serpents who call the Mississippi home become a recurring symbol of evil in Nichols' narrative. The ambiguous mix of light and dark elements in Mud's personality, for example -- an embodiment of the effects of original sin -- can be connected to his past interaction with these malign creatures.

Character-centered and moving, "Mud" provides thoughtful entertainment for mature moviegoers.

The film contains intense but largely bloodless violence, some adolescent sex talk, including references to pornography, a couple of uses of profanity and considerable crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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John Francis Burté and Companions: These priests were victims of the French Revolution. Though their martyrdom spans a period of several years, they stand together in the Church’s memory because they all gave their lives for the same principle. The Civil Constitution of the Clergy (1791) required all priests to take an oath which amounted to a denial of the faith. Each of these men refused and was executed.
<p>John Francis Burté became a Franciscan at 16 and after ordination taught theology to the young friars. Later he was guardian of the large Conventual friary in Paris until he was arrested and held in the convent of the Carmelites.
</p><p>Appolinaris of Posat was born in 1739 in Switzerland. He joined the Capuchins and acquired a reputation as an excellent preacher, confessor and instructor of clerics. Sent to the East as a missionary, he was in Paris studying Oriental languages when the French Revolution began. Refusing the oath, he was swiftly arrested and detained in the Carmelite convent.
</p><p>Severin Girault, a member of the Third Order Regular, was a chaplain for a group of sisters in Paris. Imprisoned with the others, he was the first to die in the slaughter at the convent.
</p><p>These three plus 182 others—including several bishops and many religious and diocesan priests—were massacred at the Carmelite house in Paris on September 2, 1792. They were beatified in 1926.
</p><p>John Baptist Triquerie, born in 1737, entered the Conventual Franciscans. He was chaplain and confessor of Poor Clare monasteries in three cities before he was arrested for refusing to take the oath. He and 13 diocesan priests were guillotined in Laval on January 21, 1794. He was beatified in 1955.</p> American Catholic Blog The amazing friends I have: I didn’t “find” them; I certainly
don’t deserve them; but I do have them. And there is only one feasible reason: because my friends are God’s gift to me in proof of His love for me, His friendship.

 
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