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ON FAITH & MEDIA View Comments

Mud

By
John Mulderig
Source: Catholic News Service


Jacob Lofland, Matthew McConaughey and Tye Sheridan star in a scene from the movie "Mud."
Set in rural Arkansas, along the banks of the Mississippi, writer-director Jeff Nichols' leisurely coming of age story "Mud" (Lionsgate/Roadside) owes an obvious debt to Mark Twain's classic tale "The Adventures of Huckleberry Finn."

Realistically updating some of the most famous passages of Twain's iconic story, Nichols' script uses the template of what is arguably the Great American Novel to explore delicate moral shadings, the nature of friendship and the interplay of innocence and disillusionment in the mind of one of its main characters.

The still-shaping consciousness in question belongs to 14-year-old Ellis (Tye Sheridan). Gentle and idealistic, Ellis is opposites-attract best friends with peppery Neckbone (Jacob Lofland). With no parents on the scene -- he's being raised by his caring but hardly authoritative Uncle Galen (Michael Shannon) -- Neckbone is far less cautious than Ellis, but also more cynical.

Together, the two boys like to escape their hardscrabble environment by taking motorboat outings on the river. During one such journey, they discover a man named Mud (Matthew McConaughey) living on an otherwise uninhabited island in the waterway.

It emerges that Mud is a fugitive. Reared nearby, he's returned to the area on the run from his mysterious, but clearly freighted past.

Drawn by the stranger's charismatic personality and eccentric ways, the initially frightened Ellis goodheartedly agrees to help him, bringing him food and keeping his presence a secret. Characteristically, Neckbone takes more convincing, but Mud eventually wins him over as well.

As they assist Mud in refitting a disabled boat so he can make a waterborne getaway to the Gulf of Mexico, Ellis and Neckbone are increasingly drawn into -- and endangered by -- the tangled relationships in their new friend's life. The most significant of these is his obsessive on-again, off-again romance with comely girl-next-door Juniper (Reese Witherspoon).

According to Mud's version of events, the pair first fell for each other while they were still children. And it was his love for Juniper -- and the need to protect her from harm -- that drove Mud to commit the crime that now has both the police and a team of bounty hunters on his trail. He hopes to arrange for Juniper to be with him when he makes his escape.

Disputing Mud's account of all this is one of his few adult allies, Ellis' reclusive neighbor Tom Blankenship (Sam Shepard). Though he sympathizes with Mud, and has been something of a father figure to him in the past, Tom warns Ellis not to be swayed by Mud's charm or too persuaded by his glib discourse.

The complex bond between Mud and Juniper becomes a shifting prism through which Ellis views other relationships in his life.

At home, Ellis is coping with his quarreling parents' (Sarah Paulson and Ray McKinnon) impending divorce. He's also grappling with his puppy love for May Pearl (Bonnie Sturdivant), a sometimes disdainful older girl who's unsure whether, as an exalted high school student, she should lower herself to date a mere ninth grader.

Viewers conversant with scripture will note that the dangerous serpents who call the Mississippi home become a recurring symbol of evil in Nichols' narrative. The ambiguous mix of light and dark elements in Mud's personality, for example -- an embodiment of the effects of original sin -- can be connected to his past interaction with these malign creatures.

Character-centered and moving, "Mud" provides thoughtful entertainment for mature moviegoers.

The film contains intense but largely bloodless violence, some adolescent sex talk, including references to pornography, a couple of uses of profanity and considerable crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Lorenzo Ruiz and Companions: Lawrence (Lorenzo) was born in Manila of a Chinese father and a Filipino mother, both Christians. Thus he learned Chinese and Tagalog from them and Spanish from the Dominicans whom he served as altar boy and sacristan. He became a professional calligrapher, transcribing documents in beautiful penmanship. He was a full member of the Confraternity of the Holy Rosary under Dominican auspices. He married and had two sons and a daughter. 
<p>His life took an abrupt turn when he was accused of murder. Nothing further is known except the statement of two Dominicans that "he was sought by the authorities on account of a homicide to which he was present or which was attributed to him." </p><p>At that time three Dominican priests, Antonio Gonzalez, Guillermo Courtet and Miguel de Aozaraza, were about to sail to Japan in spite of a violent persecution there. With them was a Japanese priest, Vicente Shiwozuka de la Cruz, and a layman named Lazaro, a leper. Lorenzo, having taken asylum with them, was allowed to accompany them. But only when they were at sea did he learn that they were going to Japan. </p><p>They landed at Okinawa. Lorenzo could have gone on to Formosa, but, he reported, "I decided to stay with the Fathers, because the Spaniards would hang me there." In Japan they were soon found out, arrested and taken to Nagasaki. The site of wholesale bloodshed when the atomic bomb was dropped had known tragedy before. The 50,000 Catholics who once lived there were dispersed or killed by persecution. </p><p>They were subjected to an unspeakable kind of torture: After huge quantities of water were forced down their throats, they were made to lie down. Long boards were placed on their stomachs and guards then stepped on the ends of the boards, forcing the water to spurt violently from mouth, nose and ears. </p><p>The superior, Antonio, died after some days. Both the Japanese priest and Lazaro broke under torture, which included the insertion of bamboo needles under their fingernails. But both were brought back to courage by their companions. </p><p>In Lorenzo's moment of crisis, he asked the interpreter, "I would like to know if, by apostatizing, they will spare my life." The interpreter was noncommittal, but Lorenzo, in the ensuing hours, felt his faith grow strong. He became bold, even audacious, with his interrogators. </p><p>The five were put to death by being hanged upside down in pits. Boards fitted with semicircular holes were fitted around their waists and stones put on top to increase the pressure. They were tightly bound, to slow circulation and prevent a speedy death. They were allowed to hang for three days. By that time Lorenzo and Lazaro were dead. The three Dominican priests, still alive, were beheaded. </p><p>In 1987, Blessed John Paul II canonized these six and 10 others, Asians and Europeans, men and women, who spread the faith in the Philippines, Formosa and Japan. Lorenzo Ruiz is the first canonized Filipino martyr.</p> American Catholic Blog We don’t have to scrub off our sin so God can love us. Instead, when we allow God’s healing love to touch us, we want to leave sin behind. Growth starts in love, not in guilt.

 
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