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The Hangover Part III

Kurt Jensen
Source: Catholic News Service

Zach Galifianakis, Bradley Cooper and Ed Helms star in a scene from the movie "The Hangover Part III."
On its surface a defanged and declawed version of the first two installments, "The Hangover Part III" (Warner Bros.) has no sex, no alcohol or drug abuse and almost no nudity, albeit that last element is eventually -- perhaps inevitably -- included via a closing-credits sight gag.

What's left from director Todd Phillips, who co-wrote with Craig Mazin, is what used to be called a "caper comedy" filled with car chases, a few scattershot ethnic slurs involving Asians and Jews and, unsettlingly enough, what proves to be a quite benign view of coldblooded murder.

This time, Alan Garner (Zach Galifianakis), the spoiled rich boy, finally has to mature -- at age 42, it's about time -- following the death of his father, Sid (Jeffrey Tambor). Alan's friends Phil Wenneck (Bradley Cooper) and Stu Price (Ed Helms) stage an intervention to get their unstable pal the help he needs at a mental health facility in Arizona.

En route, "The Wolfpack," as they call themselves, are waylaid by gangster Marshall (John Goodman). Marshall wants them to help retrieve $21 million in gold bars stolen by archcriminal Mr. Chow (Ken Jeong), who recently escaped from a Bangkok prison. Marshall holds Alan's brother-in-law, Doug (Justin Bartha), hostage until the loot is returned.

There are long stretches involving bungled criminal activity and hit-and-miss non-sequitur dialogue before a final showdown in Las Vegas, a place "The Wolfpack" now dreads after the group's drug-fueled adventure there in the first film. They reconnect with Jade (Heather Graham), who launched their initial debauch, and Alan finds love with Cassie (Melissa McCarthy), a pawnshop owner.

While the shenanigans that made the earlier entries repellent may mercifully be absent, there's a different, deeper -- and philosophically, at least, potentially more troubling -- recklessness at work in this picture. In the inkiest vein of nihilistic black humor, the frequent intrusion of death -- whether that of disposable animals or of equally disposable people -- is presented as a cue for guffaws.

Thus, whenever the filmmakers run out of uses for a character, as they do for Black Doug (Mike Epps), they simply have him killed.

The film contains stylized gun violence, a fleeting glimpse of frontal male nudity, a brief but vulgar reference to sexual activity, some profanity and pervasive rough and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

Kurt Jensen is a guest reviewer for Catholic News Service.

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Bruno: This saint has the honor of having founded a religious order which, as the saying goes, has never had to be reformed because it was never deformed. No doubt both the founder and the members would reject such high praise, but it is an indication of the saint's intense love of a penitential life in solitude. 
<p>Bruno was born in Cologne, Germany, became a famous teacher at Rheims and was appointed chancellor of the archdiocese at the age of 45. He supported Pope Gregory VII in his fight against the decadence of the clergy and took part in the removal of his own scandalous archbishop, Manasses. Bruno suffered the plundering of his house for his pains. </p><p>He had a dream of living in solitude and prayer, and persuaded a few friends to join him in a hermitage. After a while he felt the place unsuitable and, through a friend, was given some land which was to become famous for his foundation "in the Chartreuse" (from which comes the word Carthusians). The climate, desert, mountainous terrain and inaccessibility guaranteed silence, poverty and small numbers. </p><p>Bruno and his friends built an oratory with small individual cells at a distance from each other. They met for Matins and Vespers each day and spent the rest of the time in solitude, eating together only on great feasts. Their chief work was copying manuscripts. </p><p>The pope, hearing of Bruno's holiness, called for his assistance in Rome. When the pope had to flee Rome, Bruno pulled up stakes again, and spent his last years (after refusing a bishopric) in the wilderness of Calabria. </p><p>He was never formally canonized, because the Carthusians were averse to all occasions of publicity. However Pope Clement X extended his feast to the whole Church in 1674.</p> American Catholic Blog The saints in heaven love and care for us, and so it is fitting that we pray to them and ask for their prayers, as we on earth assist one another through prayer.

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