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ON FAITH & MEDIA View Comments

Iron Man 3

By
John Mulderig
Source: Catholic News Service


A a scene from the movie "Iron Man 3."
Given that his first appearance in print dates back to 1963, the comics-based superhero of "Iron Man 3" (Disney) may be said to be turning 50 this year. Perhaps a midlife crisis is to blame for the lack of freshness and charm that mark the latest addition to this blockbuster screen franchise -- or perhaps other factors are at fault.

Certainly, the personal advancement that could previously be traced in Iron Man's alter ego and inventor -- billionaire Tony Stark (Robert Downey Jr.) -- has in some respects stalled.

As opening flashbacks to 1999 remind us, Stark was once a booze-swilling, commitment-free playboy. Then his assistant Pepper Potts (Gwyneth Paltrow) won his heart. Yet, while their relationship, cemented in the first sequel, continues to be exclusive, the two are now shown to be living together without benefit of City Hall or clergy.

The latest strain on their yet-to-be-hallowed union arises when Stark's reckless battle with a mysterious, bin Laden-like terrorist known as the Mandarin (Ben Kingsley) endangers Pepper's life and sends Stark himself into temporary exile.

The anxiety attacks Stark begins to experience while on the lam -- partly inspired by events recounted in "Marvels' The Avengers" (2012) -- leave him questioning his gadgetry-dependent persona as Iron Man. This introduces one of the few substantive themes that director Shane Black's film -- which he co-wrote with Drew Pearce -- tarries to explore. Namely, the range of moral and immoral uses to which advanced technology can be turned.

Similar ethical ambiguities can be seen at work in the lives of two promising scientists gone bad: Stark's long-ago girlfriend of one night's standing, biochemist Maya Hansen (Rebecca Hall), and lab-nerd-turned-ladies'-man Aldrich Killian (Guy Pearce). These two, it turns out, are somehow in cahoots with the Mandarin, though just what they're up to is not initially made clear.

Like the touching friendship Stark strikes up with a bullied schoolboy (Ty Simpkins) while on the run, the brief examination of serious issues his newly developed sense of panic initiates gets muscled out of view by serial gunplay and explosions.

So where does it all lead? Why, to the highly flammable deck of an oil tanker, of course.

The film contains much action violence with some gore, cohabitation, an off-screen nonmarital sexual encounter, at least one use of profanity and occasional crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Giles: Despite the fact that much about St. Giles is shrouded in mystery, we can say that he was one of the most popular saints in the Middle Ages. Likely, he was born in the first half of the seventh century in southeastern France. That is where he built a monastery that became a popular stopping-off point for pilgrims making their way to Compostela in Spain and the Holy Land.<br /><br />In England, many ancient churches and hospitals were dedicated to Giles. One of the sections of the city of Brussels is named after him. In Germany, Giles was included among the so-called 14 Holy Helpers, a popular group of saints to whom people prayed, especially for recovery from disease and for strength at the hour of death. Also among the 14 were Sts. Christopher, Barbara and Blaise. Interestingly, Giles was the only non-martyr among them. Devotion to the "Holy Helpers" was especially strong in parts of Germany and in Hungary and Sweden. Such devotion made his popularity spread. Giles was soon invoked as the patron of the poor and the disabled.<br /><br />The pilgrimage center that once drew so many fell into disrepair some centuries after Giles' death. American Catholic Blog The ascension is about the final reunion of what appeared to be separated for a while: earth and heaven, human and divine, matter and Spirit. If the Christ is the archetype of the full human journey, now we know how it all resolves itself in the end. “So that where I am, you also will be” (John 14:3).

 
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