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ON FAITH & MEDIA View Comments

Oblivion

By
John Mulderig
Source: Catholic News Service


Olga Kurylenko and Tom Cruise star in a scene from the movie "Oblivion."
Large-scale landscapes and shiny gadgets make for arresting visuals in the science fiction epic "Oblivion" (Universal). But director Joseph Kosinski's emotionally shallow adaptation of his own graphic novel is further undermined by logical lapses and some dubious philosophizing.

While mature moviegoers may shrug off the amateur metaphysics of Karl Gajdusek's script easily enough, taken together with its ethical complexities -- difficult to probe for fear of spoilers -- they make this convoluted dystopian drama wholly unsuitable for young or impressionable viewers.

Protagonist Jack Harper (Tom Cruise) does his best to fill us in: It's 2077; 60 years ago invading aliens known as Scavengers shattered the moon and almost conquered Earth. Though they failed, the consequences of lunar fragmentation and worldwide combat made global warming seem like meteorological chump change. Fortunately, humanity managed to find itself a new home on Saturn's moon Titan.

So what's Jack, a trained technician, doing back on the home planet? Along with a navigator named Victoria (Andrea Riseborough), Jack has been dispatched to tend machinery that allows the folks on Titan to continue harvesting Earth's natural resources, especially water. A romantic as well as professional pair, Jack and Victoria lead a cozy, placid life under the watchful guidance of mission control.

All of that begins to change with the unexpected arrival of Julia (Olga Kurylenko), an astronaut from the days before the intergalactic war. Her crash landing draws an unexpected and troubling response from Jack's superiors.

Jack's peace of mind is further disturbed by his encounter with a group of guerilla freedom fighters. Beech (Morgan Freeman), their chief, challenges the inquisitive repairman to test the version of history mission control has long been feeding him.

The far end of Jack's journey of discovery offers audiences some self-sacrificing heroics and a resolution that sees pride-based blasphemy receive its comeuppance. Yet potentially troubling questions about the relationship of physical and spiritual identity also are thrown into the mix. And the revelation of Julia's true role makes Jack's initial domestic situation retrospectively problematic.

Well-grounded audience members may succeed in winnowing through all these elements. But they may also wind up asking themselves whether the material at hand justifies so much prudential effort.

The film contains an objectively immoral living arrangement, a scene of sensuality with shadowy rear and partial nudity, a couple of uses of profanity, at least one rough term and a smattering of crude and crass language. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

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Mulderig is on the staff of Catholic News Service.



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Conrad of Parzham: Conrad spent most of his life as porter in Altoetting, Bavaria, letting people into the friary and indirectly encouraging them to let God into their lives. 
<p>His parents, Bartholomew and Gertrude Birndorfer, lived near Parzham, Bavaria. In those days this region was recovering from the Napoleonic wars. A lover of solitary prayer and a peacemaker as a young man, Conrad joined the Capuchins as a brother. He made his profession in 1852 and was assigned to the friary in Altoetting. That city’s shrine to Mary was very popular; at the nearby Capuchin friary there was a lot of work for the porter, a job Conrad held for 41 years. </p><p>At first some of the other friars were jealous that such a young friar held this important job. Conrad’s patience and holy life overcame their doubts. As porter he dealt with many people, obtaining many of the friary supplies and generously providing for the poor who came to the door. He treated them all with the courtesy Francis expected of his followers. </p><p>Conrad’s helpfulness was sometimes unnerving. Once Father Vincent, seeking quiet to prepare a sermon, went up the belltower of the church. Conrad tracked him down when someone wanting to go to confession specifically requested Father Vincent. </p><p>Conrad also developed a special rapport with the children of the area. He enthusiastically promoted the Seraphic Work of Charity, which aided neglected children. </p><p>Conrad spent hours in prayer before the Blessed Sacrament. He regularly asked the Blessed Mother to intercede for him and for the many people he included in his prayers. The ever-patient Conrad was canonized in 1934.</p> American Catholic Blog The Resurrection is neither optimism nor idealism; it is truth. Atheism proclaims the tomb is full; Christians know it is empty.

 
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