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ON FAITH & MEDIA View Comments

Jurassic Park

By
Gerri Pare
Source: Catholic News Service


A scene from the 1993 movie "Jurassic Park," now rereleased with 3-D effects.
Moviegoers are in for some extreme excitement if they venture within the terrifying boundaries of "Jurassic Park" (Universal), now rereleased with 3-D effects.

Steven Spielberg directs the mother of all monster movies from Michael Crichton's best-selling novel, detailing what happens after genetically re-created dinosaurs break loose in a theme park and see two young children and assorted adults as tasty treats.

The first hour is almost humdrum, simply an atmospheric buildup to what everyone knows will happen: the dinos running amuck and puny humans running for their lives.

This is a movie where action speaks much louder than words and, as such, dialogue and characterizations are weak. It's the special effects that are mighty.

And spectacular they are. The six species of dinosaurs look incredibly realistic and the ravenous shrieks they emit will raise goose bumps on your goose bumps.

Spielberg handles the death scenes gingerly (undoubtedly to avoid an R rating and win a more profitable PG-13) and victims are usually done in behind bushes, fogged-up windows or off-screen.

The menace to the two kids (Joseph Mazzello and Ariana Richards), however, is really scary in scene after scene and would definitely give children nightmares. In fact, the movie becomes such a terrifying horror film, it may be too intense even for a few teens and adults although most should be able to handle the high-velocity thrills.

With such a premium placed on the rampaging monsters, it is actually the group shots of peaceful dinos that are enchanting. Cinematography is top-draw, with the Hawaiian island of Kauai lushly standing in for the Costa Rican island setting of the bizarre Jurassic Park.

Humor is well-used as much-needed comic relief with some wry remarks coming from maudlin mathematician Jeff Goldblum. Theme park developer Richard Attenborough and romantically involved scientists Laura Dern and Sam Neill round out the cast, but they are mostly props in the plot.

The underlying moral question -- whether science has the right to tinker with the natural laws without regard to consequences -- is paid lip service in phony-sounding dialogue, although the answer seems clear in serene closing shots of birds soaring over the ocean.

But for most of the movie it is the dino that soars and roars in this larger-than-life thriller.

Due to much intense menace to children and several stylized scenes of violent death, the Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America Rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

*****
Pare is retired director of the U.S. Conference of Catholic Bishops' Office for Film and Broadcasting.



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Katharine Drexel: If your father is an international banker and you ride in a private railroad car, you are not likely to be drawn into a life of voluntary poverty. But if your mother opens your home to the poor three days each week and your father spends half an hour each evening in prayer, it is not impossible that you will devote your life to the poor and give away millions of dollars. Katharine Drexel did that. 
<p>She was born in Philadelphia in 1858. She had an excellent education and traveled widely. As a rich girl, she had a grand debut into society. But when she nursed her stepmother through a three-year terminal illness, she saw that all the Drexel money could not buy safety from pain or death, and her life took a profound turn. </p><p>She had always been interested in the plight of the Indians, having been appalled by what she read in Helen Hunt Jackson’s <i>A Century of Dishonor</i>. While on a European tour, she met Pope Leo XIII and asked him to send more missionaries to Wyoming for her friend Bishop James O’Connor. The pope replied, “Why don’t you become a missionary?” His answer shocked her into considering new possibilities. </p><p>Back home, Katharine visited the Dakotas, met the Sioux leader Red Cloud and began her systematic aid to Indian missions. </p><p>She could easily have married. But after much discussion with Bishop O’Connor, she wrote in 1889, “The feast of St. Joseph brought me the grace to give the remainder of my life to the Indians and the Colored.” Newspaper headlines screamed “Gives Up Seven Million!” </p><p>After three and a half years of training, she and her first band of nuns (Sisters of the Blessed Sacrament for Indians and Colored) opened a boarding school in Santa Fe. A string of foundations followed. By 1942 she had a system of black Catholic schools in 13 states, plus 40 mission centers and 23 rural schools. Segregationists harassed her work, even burning a school in Pennsylvania. In all, she established 50 missions for Indians in 16 states. </p><p>Two saints met when Katharine was advised by Mother Cabrini about the “politics” of getting her Order’s Rule approved in Rome. Her crowning achievement was the founding of Xavier University in New Orleans, the first Catholic university in the United States for African Americans. </p><p>At 77, she suffered a heart attack and was forced to retire. Apparently her life was over. But now came almost 20 years of quiet, intense prayer from a small room overlooking the sanctuary. Small notebooks and slips of paper record her various prayers, ceaseless aspirations and meditation. She died at 96 and was canonized in 2000.</p> American Catholic Blog Our task during these forty days is to examine our lives in light of God’s Word and see where we’ve allowed darkness to creep in, where we’ve taken the bait of the diabolical fisher of men. It’s time to use the sword of the Spirit to cut through his web of deception, to free ourselves from the net that holds us as prey.


 
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