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ON FAITH & MEDIA View Comments

Jurassic Park

By
Gerri Pare
Source: Catholic News Service


A scene from the 1993 movie "Jurassic Park," now rereleased with 3-D effects.
Moviegoers are in for some extreme excitement if they venture within the terrifying boundaries of "Jurassic Park" (Universal), now rereleased with 3-D effects.

Steven Spielberg directs the mother of all monster movies from Michael Crichton's best-selling novel, detailing what happens after genetically re-created dinosaurs break loose in a theme park and see two young children and assorted adults as tasty treats.

The first hour is almost humdrum, simply an atmospheric buildup to what everyone knows will happen: the dinos running amuck and puny humans running for their lives.

This is a movie where action speaks much louder than words and, as such, dialogue and characterizations are weak. It's the special effects that are mighty.

And spectacular they are. The six species of dinosaurs look incredibly realistic and the ravenous shrieks they emit will raise goose bumps on your goose bumps.

Spielberg handles the death scenes gingerly (undoubtedly to avoid an R rating and win a more profitable PG-13) and victims are usually done in behind bushes, fogged-up windows or off-screen.

The menace to the two kids (Joseph Mazzello and Ariana Richards), however, is really scary in scene after scene and would definitely give children nightmares. In fact, the movie becomes such a terrifying horror film, it may be too intense even for a few teens and adults although most should be able to handle the high-velocity thrills.

With such a premium placed on the rampaging monsters, it is actually the group shots of peaceful dinos that are enchanting. Cinematography is top-draw, with the Hawaiian island of Kauai lushly standing in for the Costa Rican island setting of the bizarre Jurassic Park.

Humor is well-used as much-needed comic relief with some wry remarks coming from maudlin mathematician Jeff Goldblum. Theme park developer Richard Attenborough and romantically involved scientists Laura Dern and Sam Neill round out the cast, but they are mostly props in the plot.

The underlying moral question -- whether science has the right to tinker with the natural laws without regard to consequences -- is paid lip service in phony-sounding dialogue, although the answer seems clear in serene closing shots of birds soaring over the ocean.

But for most of the movie it is the dino that soars and roars in this larger-than-life thriller.

Due to much intense menace to children and several stylized scenes of violent death, the Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America Rating is PG-13 -- parents are strongly cautioned. Some material may be inappropriate for children under 13.

*****
Pare is retired director of the U.S. Conference of Catholic Bishops' Office for Film and Broadcasting.



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Lorenzo Ruiz and Companions: Lawrence (Lorenzo) was born in Manila of a Chinese father and a Filipino mother, both Christians. Thus he learned Chinese and Tagalog from them and Spanish from the Dominicans whom he served as altar boy and sacristan. He became a professional calligrapher, transcribing documents in beautiful penmanship. He was a full member of the Confraternity of the Holy Rosary under Dominican auspices. He married and had two sons and a daughter. 
<p>His life took an abrupt turn when he was accused of murder. Nothing further is known except the statement of two Dominicans that "he was sought by the authorities on account of a homicide to which he was present or which was attributed to him." </p><p>At that time three Dominican priests, Antonio Gonzalez, Guillermo Courtet and Miguel de Aozaraza, were about to sail to Japan in spite of a violent persecution there. With them was a Japanese priest, Vicente Shiwozuka de la Cruz, and a layman named Lazaro, a leper. Lorenzo, having taken asylum with them, was allowed to accompany them. But only when they were at sea did he learn that they were going to Japan. </p><p>They landed at Okinawa. Lorenzo could have gone on to Formosa, but, he reported, "I decided to stay with the Fathers, because the Spaniards would hang me there." In Japan they were soon found out, arrested and taken to Nagasaki. The site of wholesale bloodshed when the atomic bomb was dropped had known tragedy before. The 50,000 Catholics who once lived there were dispersed or killed by persecution. </p><p>They were subjected to an unspeakable kind of torture: After huge quantities of water were forced down their throats, they were made to lie down. Long boards were placed on their stomachs and guards then stepped on the ends of the boards, forcing the water to spurt violently from mouth, nose and ears. </p><p>The superior, Antonio, died after some days. Both the Japanese priest and Lazaro broke under torture, which included the insertion of bamboo needles under their fingernails. But both were brought back to courage by their companions. </p><p>In Lorenzo's moment of crisis, he asked the interpreter, "I would like to know if, by apostatizing, they will spare my life." The interpreter was noncommittal, but Lorenzo, in the ensuing hours, felt his faith grow strong. He became bold, even audacious, with his interrogators. </p><p>The five were put to death by being hanged upside down in pits. Boards fitted with semicircular holes were fitted around their waists and stones put on top to increase the pressure. They were tightly bound, to slow circulation and prevent a speedy death. They were allowed to hang for three days. By that time Lorenzo and Lazaro were dead. The three Dominican priests, still alive, were beheaded. </p><p>In 1987, Blessed John Paul II canonized these six and 10 others, Asians and Europeans, men and women, who spread the faith in the Philippines, Formosa and Japan. Lorenzo Ruiz is the first canonized Filipino martyr.</p> American Catholic Blog We don’t have to scrub off our sin so God can love us. Instead, when we allow God’s healing love to touch us, we want to leave sin behind. Growth starts in love, not in guilt.

 
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