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ON FAITH & MEDIA View Comments

The Croods

By
Joseph McAleer
Source: Catholic News Service


Animated characters appear in the movie "The Croods."
"The Flintstones" on steroids may best describe "The Croods" (Fox). Echoing the premise of the popular 1960s TV series, this 3-D animated comedy follows the rollicking adventures of another "modern Stone Age family."

Written and directed by Chris Sanders ("How to Train Your Dragon") and Kirk DeMicco ("Space Chimps"), "The Croods" is a refreshing change of pace for Hollywood family fare. Its punning title notwithstanding, the film's humor is not at all crude—there's not a potty joke within sight (or smell).

Instead, we have a fast-paced, good-humored and beautifully rendered romp that provides fun for moviegoers of just about any age. Only frightening interludes that might overwhelm the littlest viewers pose any concern for parents.

Climate change is in the air, and that fills Crood family patriarch Grug (voice of Nicolas Cage) with dread. Grug is overprotective of his loving wife, Ugga (voice of Catherine Keener), and of their three kids: Eep (voice of Emma Stone), a rebellious teen; Thunk (voice of Clark Duke), an outsized dimwit; and rambunctious toddler Sandy, who growls rather than speaks.

Throw in Grug's sassy mother-in-law, Gran (voice of Cloris Leachman), with whom he continually feuds, and you have a recipe for dysfunction and chaos.

Every day at sunset, Grug gathers his tribe and together they retreat to the safety of a dark cave. Thanks to him, the Croods are the only family which has survived the terrors of the wild.

"Darkness brings death," Grug teaches his brood. "Fear keeps us alive. Never not be afraid. Curiosity kills."

But inquisitiveness gets the better of Eep, who wanders off one night, intrigued by a flickering light in the distance. It leads her to a stranger named Guy (voice of Ryan Reynolds). Guy is an orphan who has survived through sheer resourcefulness -- and the discovery of fire.

Eep is enchanted by the hunky lad. (Who knew Neanderthals had abs of steel?) But Guy predicts doom and gloom unless the Croods follow his lead to a safe haven he calls "Tomorrow." Grug is suspicious, and resents relinquishing his role as guardian.

When the earth quakes and volcanoes erupt, the Croods have no choice but to join Guy on the ultimate road trip toward their destiny. Awash in psychedelic colors, the many otherworldly landscapes they encounter are reminiscent of James Cameron's "Avatar."

Whether intentional or not, "The Croods" carries an intriguing Christian subtext. The characters of the title live in fear in the dark. Guy arrives and persuades them to "live in the light" and "follow the sun." Doing so will lead to a kind of salvation as well as a renewal of the bonds of family and friendship.

The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Katharine Drexel: If your father is an international banker and you ride in a private railroad car, you are not likely to be drawn into a life of voluntary poverty. But if your mother opens your home to the poor three days each week and your father spends half an hour each evening in prayer, it is not impossible that you will devote your life to the poor and give away millions of dollars. Katharine Drexel did that. 
<p>She was born in Philadelphia in 1858. She had an excellent education and traveled widely. As a rich girl, she had a grand debut into society. But when she nursed her stepmother through a three-year terminal illness, she saw that all the Drexel money could not buy safety from pain or death, and her life took a profound turn. </p><p>She had always been interested in the plight of the Indians, having been appalled by what she read in Helen Hunt Jackson’s <i>A Century of Dishonor</i>. While on a European tour, she met Pope Leo XIII and asked him to send more missionaries to Wyoming for her friend Bishop James O’Connor. The pope replied, “Why don’t you become a missionary?” His answer shocked her into considering new possibilities. </p><p>Back home, Katharine visited the Dakotas, met the Sioux leader Red Cloud and began her systematic aid to Indian missions. </p><p>She could easily have married. But after much discussion with Bishop O’Connor, she wrote in 1889, “The feast of St. Joseph brought me the grace to give the remainder of my life to the Indians and the Colored.” Newspaper headlines screamed “Gives Up Seven Million!” </p><p>After three and a half years of training, she and her first band of nuns (Sisters of the Blessed Sacrament for Indians and Colored) opened a boarding school in Santa Fe. A string of foundations followed. By 1942 she had a system of black Catholic schools in 13 states, plus 40 mission centers and 23 rural schools. Segregationists harassed her work, even burning a school in Pennsylvania. In all, she established 50 missions for Indians in 16 states. </p><p>Two saints met when Katharine was advised by Mother Cabrini about the “politics” of getting her Order’s Rule approved in Rome. Her crowning achievement was the founding of Xavier University in New Orleans, the first Catholic university in the United States for African Americans. </p><p>At 77, she suffered a heart attack and was forced to retire. Apparently her life was over. But now came almost 20 years of quiet, intense prayer from a small room overlooking the sanctuary. Small notebooks and slips of paper record her various prayers, ceaseless aspirations and meditation. She died at 96 and was canonized in 2000.</p> American Catholic Blog Our task during these forty days is to examine our lives in light of God’s Word and see where we’ve allowed darkness to creep in, where we’ve taken the bait of the diabolical fisher of men. It’s time to use the sword of the Spirit to cut through his web of deception, to free ourselves from the net that holds us as prey.


 
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