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ON FAITH & MEDIA View Comments

The Incredible Burt Wonderstone

By
Joseph McAleer
Source: Catholic News Service


Alan Arkin, Jim Carrey, Steve Carell, Michael Bully and Jay Mohr star in a scene from the movie "The Incredible Burt Wonderstone."
By turns repellent and charming, "The Incredible Burt Wonderstone" (Warner Bros.) comically charts the rise and fall of dueling magicians on the famed Las Vegas Strip.

On the surface, the film, directed by television veteran Don Scardino ("30 Rock"), seeks its laughs the conventional Hollywood way, via sexual innuendo or gross-out sight gags. Regrettably, such sleaze—together with a morally flawed conclusion—obscures interesting commentaries on the wickedness of narcissism and a fallen idol's potential path to redemption.

For years, the hottest ticket in Sin City has been "A Magical Friendship," headlined by the superstar—and colorfully named—magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi). The two have been pals since elementary school, when a shared love for sleight-of-hand built confidence and provided armor against bullies.

"Everyone loves a magician," intoned the great illusionist Rance Holloway (Alan Arkin) in his how-to videotape watched by the wide-eyed boys. "And they will all love you, too."

Audiences did, but lately changing tastes and increased competition have dimmed the spotlight and strained the friendship. Burt, channeling Siegfried and Roy with his flowing blond locks, spray tan and sequined jumpsuit, has become an obnoxious diva who beds lady volunteers from the audience. He's bored with the act and, especially, with Anton, who has never wavered in his self-discipline and loyalty.

When a new stunt fails in spectacular fashion, the duo parts ways, and Burt falls on hard times, forced to work as an entertainer in an old folks' home.

Meanwhile, a new star is rising in the person of outrageous street performer Steve Gray (Jim Carrey), who goes by the title "The Brain Rapist." Steve's form of magic involves squeamish physical challenges, such as using his head to pound nails into wood or holding his urine for days on end.

To Steve, magicians such as Burt and Anton are old school and must be destroyed. "It's natural for a dying leaf to be frightened of this autumn wind," he tells Burt.

To make matters worse, Burt and Anton's former assistant, the lovely Jane (Olivia Wilde), has become Steve's aide. But Jane, a magician herself, has a soft spot for the down-and-out Burt, and supports efforts to turn his life around.

"The Incredible Burt Wonderstone" takes a decisive wrong turn at its climax—when a big comeback stunt depends more on narcotics than on magic. Coming on top of all the dubious humor on display, this development ramps up the problematic content of the picture—and will leave viewers questioning whether Burt's values have really changed after all.

The film contains a benign view of drug use and contraception, much crude humor, sexual innuendo and occasional profane and rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Jeanne Jugan: 
		<p>Born in northern France during the French Revolution—a time when congregations of women and men religious were being suppressed by the national government, Jeanne would eventually be highly praised in the French academy for her community's compassionate care of elderly poor people.</p>
		<p>When Jeanne was three and a half years old, her father, a fisherman, was lost at sea. Her widowed mother was hard pressed to raise her eight children (four died young) alone. At the age of 15 or 16, Jeanne became a kitchen maid for a family that not only cared for its own members, but also served poor, elderly people nearby. Ten years later, Jeanne became a nurse at the hospital in Le Rosais. Soon thereafter she joined a third order group founded by St. John Eudes (August 19).</p>
		<p>After six years she became a servant and friend of a woman she met through the third order. They prayed, visited the poor and taught catechism to children. After her friend's death, Jeanne and two other women continued a similar life in the city of Saint-Sevran. In 1839, they brought in their first permanent guest. They began an association, received more members and more guests. Mother Marie of the Cross, as Jeanne was now known, founded six more houses for the elderly by the end of 1849, all staffed by members of her association—the Little Sisters of the Poor. By 1853 the association numbered 500 and had houses as far away as England.</p>
		<p>Abbé Le Pailleur, a chaplain, had prevented Jeanne's reelection as superior in 1843; nine year later, he had her assigned to duties within the congregation, but would not allow her to be recognized as its founder. He was removed from office by the Holy See in 1890. </p>
		<p>By the time Pope Leo XIII gave her final approval to the community's constitutions in 1879, there were 2,400 Little Sisters of the Poor. Jeanne died later that same year, on August 30. Her cause was introduced in Rome in 1970, and she was beatified in 1982 and canonized in 2009. </p>
		<p> </p>
American Catholic Blog The joy of the Lord is our strength. Therefore, each of us will accept a life of poverty in cheerful trust. We will offer cheerful obedience from our inward joy. We will minister to Christ in the distressing disguise of the poor with cheerful devotion. If our work is done with joy, we will have no reason to be unhappy.

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