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ON FAITH & MEDIA View Comments

The Incredible Burt Wonderstone

By
Joseph McAleer
Source: Catholic News Service


Alan Arkin, Jim Carrey, Steve Carell, Michael Bully and Jay Mohr star in a scene from the movie "The Incredible Burt Wonderstone."
By turns repellent and charming, "The Incredible Burt Wonderstone" (Warner Bros.) comically charts the rise and fall of dueling magicians on the famed Las Vegas Strip.

On the surface, the film, directed by television veteran Don Scardino ("30 Rock"), seeks its laughs the conventional Hollywood way, via sexual innuendo or gross-out sight gags. Regrettably, such sleaze—together with a morally flawed conclusion—obscures interesting commentaries on the wickedness of narcissism and a fallen idol's potential path to redemption.

For years, the hottest ticket in Sin City has been "A Magical Friendship," headlined by the superstar—and colorfully named—magicians Burt Wonderstone (Steve Carell) and Anton Marvelton (Steve Buscemi). The two have been pals since elementary school, when a shared love for sleight-of-hand built confidence and provided armor against bullies.

"Everyone loves a magician," intoned the great illusionist Rance Holloway (Alan Arkin) in his how-to videotape watched by the wide-eyed boys. "And they will all love you, too."

Audiences did, but lately changing tastes and increased competition have dimmed the spotlight and strained the friendship. Burt, channeling Siegfried and Roy with his flowing blond locks, spray tan and sequined jumpsuit, has become an obnoxious diva who beds lady volunteers from the audience. He's bored with the act and, especially, with Anton, who has never wavered in his self-discipline and loyalty.

When a new stunt fails in spectacular fashion, the duo parts ways, and Burt falls on hard times, forced to work as an entertainer in an old folks' home.

Meanwhile, a new star is rising in the person of outrageous street performer Steve Gray (Jim Carrey), who goes by the title "The Brain Rapist." Steve's form of magic involves squeamish physical challenges, such as using his head to pound nails into wood or holding his urine for days on end.

To Steve, magicians such as Burt and Anton are old school and must be destroyed. "It's natural for a dying leaf to be frightened of this autumn wind," he tells Burt.

To make matters worse, Burt and Anton's former assistant, the lovely Jane (Olivia Wilde), has become Steve's aide. But Jane, a magician herself, has a soft spot for the down-and-out Burt, and supports efforts to turn his life around.

"The Incredible Burt Wonderstone" takes a decisive wrong turn at its climax—when a big comeback stunt depends more on narcotics than on magic. Coming on top of all the dubious humor on display, this development ramps up the problematic content of the picture—and will leave viewers questioning whether Burt's values have really changed after all.

The film contains a benign view of drug use and contraception, much crude humor, sexual innuendo and occasional profane and rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Ansgar: The “apostle of the north” (Scandinavia) had enough frustrations to become a saint—and he did. He became a Benedictine at Corbie, France, where he had been educated. Three years later, when the king of Denmark became a convert, Ansgar went to that country for three years of missionary work, without noticeable success. Sweden asked for Christian missionaries, and he went there, suffering capture by pirates and other hardships on the way. Fewer than two years later, he was recalled, to become abbot of New Corbie (Corvey) and bishop of Hamburg. The pope made him legate for the Scandinavian missions. Funds for the northern apostolate stopped with Emperor Louis’s death. After 13 years’ work in Hamburg, Ansgar saw it burned to the ground by invading Northmen; Sweden and Denmark returned to paganism. 
<p>He directed new apostolic activities in the North, traveling to Denmark and being instrumental in the conversion of another king. By the strange device of casting lots, the king of Sweden allowed the Christian missionaries to return. </p><p>Ansgar’s biographers remark that he was an extraordinary preacher, a humble and ascetical priest. He was devoted to the poor and the sick, imitating the Lord in washing their feet and waiting on them at table. He died peacefully at Bremen, Germany, without achieving his wish to be a martyr. </p><p>Sweden became pagan again after his death, and remained so until the coming of missionaries two centuries later.</p> American Catholic Blog Every vocation is a vocation to sacrifice and to joy. It is a call to the knowledge of God, to the recognition of God as our Father, to joy in the understanding of His mercy.

 
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