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ON FAITH & MEDIA View Comments

Oz the Great and Powerful

By
John Mulderig
Source: Catholic News Service


Michelle Williams stars in a scene from the movie "Oz the Great and Powerful."
Lush visuals and sly humor boost "Oz the Great and Powerful" (Disney), director Sam Raimi's 3-D prequel to the 1939 classic "The Wizard of Oz."

Like its imperishable predecessor, Raimi's fantasy adventure is based on the writings of L. Frank Baum (1856-1919). This second stroll down the Yellow Brick Road, however, incorporates thematic elements that make it unsuitable for small moviegoers, who also might be frightened by some of the spooky creatures jumping out at them from the screen.

Long before Dorothy was ever heard from—so opening scenes reveal—a small-time carnival roamed the plains that featured among its attractions the magic show of Oscar Diggs (James Franco), a charming rogue known to one and all by his nickname, Oz. Off stage, Oscar is gifted at weaving romantic illusions for the many ladies who take his fancy, a talent that sometimes gets him in to trouble.

In fact, it's while he's on the run from an outraged rival that he hops into a hot-air balloon and casts off, only to find his escape vehicle caught in the powerful updraft of a tornado. As Judy Garland long ago discovered, transport by twister leads to just one place: the magical land that shares Oscar's moniker.

There, Oscar discovers that both his arrival and his eventual victory over the forces of darkness gripping the realm have been prophesied. His triumph, should he attain it, will yield Oscar the throne of Oz along with the immense wealth of its treasury.

But Oscar's self-doubt poses a stumbling block on the way to his promised destiny. So too does his initial inability to determine which of his new homeland's three presiding witches—Theodora (Mila Kunis), Evanora (Rachel Weisz) or Glinda (Michelle Williams)—truly embodies goodness.

As scripted by Mitchell Kapner and David Lindsay-Abaire, "Oz" emphasizes confidence, cooperation, the marvels of science and the kind of generalized faith in happy endings that constitutes Hollywood's offense-proof substitute for religion.

Oscar is, nevertheless, shown praying to God in times of need—as, for instance, while spinning through the tornado. And his stated ambition to be a great man, rather than merely a good one—"Kansas," he says dismissively, "is full of good men"—is eventually proven to be misguided.

There's even an echo of the Bible—and of John Milton's great epic "Paradise Lost"—as one character's consumption of an apple marks her irrevocable embrace of wickedness.

Yet several plot points, including Oscar's fateful ride in the balloon aforesaid, turn on his womanizing. The specifics of his love-'em-and-leave-'em lifestyle are omitted, as are the limits to which he carries his seductions. Even so, the subject, however vaguely treated, is not one that belongs in a picture for children.

Additionally, tots might be overwhelmed by the sight of grand-scale pyrotechnics and by such sinister beasts as the winged baboons who take flight to protect the interests of dark magic.

The film contains mature references, perilous situations, a couple of mild oaths and potentially upsetting images. The Catholic News Service classification is A-II —adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Peter Canisius: The energetic life of Peter Canisius should demolish any stereotypes we may have of the life of a saint as dull or routine. Peter lived his 76 years at a pace which must be considered heroic, even in our time of rapid change. A man blessed with many talents, Peter is an excellent example of the scriptural man who develops his talents for the sake of the Lord’s work. 
<p>He was one of the most important figures in the Catholic Reformation in Germany. His was such a key role that he has often been called the “second apostle of Germany” in that his life parallels the earlier work of Boniface (June 5). </p><p>Although Peter once accused himself of idleness in his youth, he could not have been idle too long, for at the age of 19 he received a master’s degree from the university at Cologne. Soon afterwards he met Peter Faber, the first disciple of Ignatius Loyola (July 31), who influenced Peter so much that he joined the recently formed Society of Jesus. </p><p>At this early age Peter had already taken up a practice he continued throughout his life—a process of study, reflection, prayer and writing. After his ordination in 1546, he became widely known for his editions of the writings of St. Cyril of Alexandria and St. Leo the Great. Besides this reflective literary bent, Peter had a zeal for the apostolate. He could often be found visiting the sick or prisoners, even when his assigned duties in other areas were more than enough to keep most people fully occupied. </p><p>In 1547 Peter attended several sessions of the Council of Trent, whose decrees he was later assigned to implement. After a brief teaching assignment at the Jesuit college at Messina, Peter was entrusted with the mission to Germany—from that point on his life’s work. He taught in several universities and was instrumental in establishing many colleges and seminaries. He wrote a catechism that explained the Catholic faith in a way which common people could understand—a great need of that age. </p><p>Renowned as a popular preacher, Peter packed churches with those eager to hear his eloquent proclamation of the gospel. He had great diplomatic ability, often serving as a reconciler between disputing factions. In his letters (filling eight volumes) one finds words of wisdom and counsel to people in all walks of life. At times he wrote unprecedented letters of criticism to leaders of the Church—yet always in the context of a loving, sympathetic concern. </p><p>At 70 Peter suffered a paralytic seizure, but he continued to preach and write with the aid of a secretary until his death in his hometown (Nijmegen, Netherlands) on December 21, 1597.</p> American Catholic Blog While we await the full and unending experience of God drawing near to us, we must continue to work in the vineyard. We must continue to make God’s love real in every condition and circumstance of our lives.

 
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