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ON FAITH & MEDIA View Comments

Oz the Great and Powerful

By
John Mulderig
Source: Catholic News Service


Michelle Williams stars in a scene from the movie "Oz the Great and Powerful."
Lush visuals and sly humor boost "Oz the Great and Powerful" (Disney), director Sam Raimi's 3-D prequel to the 1939 classic "The Wizard of Oz."

Like its imperishable predecessor, Raimi's fantasy adventure is based on the writings of L. Frank Baum (1856-1919). This second stroll down the Yellow Brick Road, however, incorporates thematic elements that make it unsuitable for small moviegoers, who also might be frightened by some of the spooky creatures jumping out at them from the screen.

Long before Dorothy was ever heard from—so opening scenes reveal—a small-time carnival roamed the plains that featured among its attractions the magic show of Oscar Diggs (James Franco), a charming rogue known to one and all by his nickname, Oz. Off stage, Oscar is gifted at weaving romantic illusions for the many ladies who take his fancy, a talent that sometimes gets him in to trouble.

In fact, it's while he's on the run from an outraged rival that he hops into a hot-air balloon and casts off, only to find his escape vehicle caught in the powerful updraft of a tornado. As Judy Garland long ago discovered, transport by twister leads to just one place: the magical land that shares Oscar's moniker.

There, Oscar discovers that both his arrival and his eventual victory over the forces of darkness gripping the realm have been prophesied. His triumph, should he attain it, will yield Oscar the throne of Oz along with the immense wealth of its treasury.

But Oscar's self-doubt poses a stumbling block on the way to his promised destiny. So too does his initial inability to determine which of his new homeland's three presiding witches—Theodora (Mila Kunis), Evanora (Rachel Weisz) or Glinda (Michelle Williams)—truly embodies goodness.

As scripted by Mitchell Kapner and David Lindsay-Abaire, "Oz" emphasizes confidence, cooperation, the marvels of science and the kind of generalized faith in happy endings that constitutes Hollywood's offense-proof substitute for religion.

Oscar is, nevertheless, shown praying to God in times of need—as, for instance, while spinning through the tornado. And his stated ambition to be a great man, rather than merely a good one—"Kansas," he says dismissively, "is full of good men"—is eventually proven to be misguided.

There's even an echo of the Bible—and of John Milton's great epic "Paradise Lost"—as one character's consumption of an apple marks her irrevocable embrace of wickedness.

Yet several plot points, including Oscar's fateful ride in the balloon aforesaid, turn on his womanizing. The specifics of his love-'em-and-leave-'em lifestyle are omitted, as are the limits to which he carries his seductions. Even so, the subject, however vaguely treated, is not one that belongs in a picture for children.

Additionally, tots might be overwhelmed by the sight of grand-scale pyrotechnics and by such sinister beasts as the winged baboons who take flight to protect the interests of dark magic.

The film contains mature references, perilous situations, a couple of mild oaths and potentially upsetting images. The Catholic News Service classification is A-II —adults and adolescents. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.





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Joachim and Anne: In the Scriptures, Matthew and Luke furnish a legal family history of Jesus, tracing ancestry to show that Jesus is the culmination of great promises. Not only is his mother’s family neglected, we also know nothing factual about them except that they existed. Even the names <i>Joachim</i> and <i>Anne</i> come from a legendary source written more than a century after Jesus died. 
<p>The heroism and holiness of these people, however, is inferred from the whole family atmosphere around Mary in the Scriptures. Whether we rely on the legends about Mary’s childhood or make guesses from the information in the Bible, we see in her a fulfillment of many generations of prayerful persons, herself steeped in the religious traditions of her people. </p><p>The strong character of Mary in making decisions, her continuous practice of prayer, her devotion to the laws of her faith, her steadiness at moments of crisis, and her devotion to her relatives—all indicate a close-knit, loving family that looked forward to the next generation even while retaining the best of the past. </p><p>Joachim and Anne—whether these are their real names or not—represent that entire quiet series of generations who faithfully perform their duties, practice their faith and establish an atmosphere for the coming of the Messiah, but remain obscure.</p> American Catholic Blog My hope is that my children reach beyond me in character. I don’t want to be their moral ceiling. That makes me responsible to guide and discipline them in directions I don’t always follow. And above all, to show them mercy for their human frailty, as I ask them to show me that same mercy for mine.

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