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ON FAITH & MEDIA View Comments

Phantom

By
John Mulderig
Source: Catholic News Service


David Duchovny stars in a scene from the movie "Phantom."
Set primarily on a Soviet submarine in the midst of the Cold War, writer-director Todd Robinson's "Phantom" (RCR) pits a crew of seasoned sailors against a handful of the KGB's most ruthless bad guys.

His drama also implicitly contrasts the Christian faith adhered to by at least some of the former with the cynical atheism prevailing among the latter.

Robinson's speculative thriller plays off one of the most mysterious incidents in the long struggle between East and West: the 1968 sinking of K-129, a nuclear-armed Soviet sub whose loss has never been fully explained. His screenplay presents a possible scenario of what might have preceded—and caused—the disaster.

The plot centers on honorable but troubled Capt. Demi (Ed Harris). The son of a distinguished World War II-era naval commander, Demi's own career has been blighted by an incident we initially glimpse only in strobe-lit flashbacks.

On the verge of retirement, Demi is entrusted with a final mission, one seemingly designed to humiliate him. He's ordered to take the helm of an obsolete, diesel-fueled clunker, and steer it through its final voyage.

Accompanying him will be a group of unwanted guests: intelligence operatives led by steel-willed Agent Bruni (David Duchovny).

Demi's dislike of Bruni and his ilk turns to suspicion after he discovers that Bruni is bent on a high-stakes clandestine operation that may or may not have been sanctioned by Moscow. As he and Bruni struggle for control of the creaky vessel, with its vast destructive power, the lower ranks are forced to choose sides.

Comparisons between this dive and 1990's "The Hunt for Red October" are perhaps inevitable; they are unlikely to prove advantageous for Robinson. In fact, this routine military exercise sometimes feels like a warmed-over version of that Sean Connery gripper.

"Phantom" can be honored, though, for its exploration of the nature of heroism. And viewers of faith will be pleased—if not, perhaps, entirely satisfied -- by its sporadic showcasing of Demi's frayed but enduring ties to the Russian Orthodox Church. While Bruni is motivated by a narrow and fanatical patriotism, Demi's broader humanism can be read as an outgrowth of his Christian beliefs.

The film contains some gory violence and intense gunplay, a suicide, fleeting semi-graphic sexual activity, a couple of uses of profanity, at least one rough term and occasional crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Philip Neri: Philip Neri was a sign of contradiction, combining popularity with piety against the background of a corrupt Rome and a disinterested clergy, the whole post-Renaissance malaise. 
<p>At an early age, he abandoned the chance to become a businessman, moved to Rome from Florence and devoted his life and individuality to God. After three years of philosophy and theology studies, he gave up any thought of ordination. The next 13 years were spent in a vocation unusual at the time—that of a layperson actively engaged in prayer and the apostolate. </p><p>As the Council of Trent (1545-63) was reforming the Church on a doctrinal level, Philip’s appealing personality was winning him friends from all levels of society, from beggars to cardinals. He rapidly gathered around himself a group of laypersons won over by his audacious spirituality. Initially they met as an informal prayer and discussion group, and also served poor people in Rome. </p><p>At the urging of his confessor, he was ordained a priest and soon became an outstanding confessor, gifted with the knack of piercing the pretenses and illusions of others, though always in a charitable manner and often with a joke. He arranged talks, discussions and prayers for his penitents in a room above the church. He sometimes led “excursions” to other churches, often with music and a picnic on the way. </p><p>Some of his followers became priests and lived together in community. This was the beginning of the Oratory, the religious institute he founded. A feature of their life was a daily afternoon service of four informal talks, with vernacular hymns and prayers. Giovanni Palestrina was one of Philip’s followers, and composed music for the services. </p><p>The Oratory was finally approved after suffering through a period of accusations of being an assembly of heretics, where laypersons preached and sang vernacular hymns! (Cardinal Newman founded the first English-speaking house of the Oratory three centuries later.) </p><p>Philip’s advice was sought by many of the prominent figures of his day. He is one of the influential figures of the Counter-Reformation, mainly for converting to personal holiness many of the influential people within the Church itself. His characteristic virtues were humility and gaiety.</p> American Catholic Blog When we suffer, we don’t just come to understand the pain of Christ’s cross more, we come to understand the depth of God’s love for us: that he would endure such pain for us—in our place. We have a God who endured death so we would never have to do so.

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