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ON FAITH & MEDIA View Comments

Phantom

By
John Mulderig
Source: Catholic News Service


David Duchovny stars in a scene from the movie "Phantom."
Set primarily on a Soviet submarine in the midst of the Cold War, writer-director Todd Robinson's "Phantom" (RCR) pits a crew of seasoned sailors against a handful of the KGB's most ruthless bad guys.

His drama also implicitly contrasts the Christian faith adhered to by at least some of the former with the cynical atheism prevailing among the latter.

Robinson's speculative thriller plays off one of the most mysterious incidents in the long struggle between East and West: the 1968 sinking of K-129, a nuclear-armed Soviet sub whose loss has never been fully explained. His screenplay presents a possible scenario of what might have preceded—and caused—the disaster.

The plot centers on honorable but troubled Capt. Demi (Ed Harris). The son of a distinguished World War II-era naval commander, Demi's own career has been blighted by an incident we initially glimpse only in strobe-lit flashbacks.

On the verge of retirement, Demi is entrusted with a final mission, one seemingly designed to humiliate him. He's ordered to take the helm of an obsolete, diesel-fueled clunker, and steer it through its final voyage.

Accompanying him will be a group of unwanted guests: intelligence operatives led by steel-willed Agent Bruni (David Duchovny).

Demi's dislike of Bruni and his ilk turns to suspicion after he discovers that Bruni is bent on a high-stakes clandestine operation that may or may not have been sanctioned by Moscow. As he and Bruni struggle for control of the creaky vessel, with its vast destructive power, the lower ranks are forced to choose sides.

Comparisons between this dive and 1990's "The Hunt for Red October" are perhaps inevitable; they are unlikely to prove advantageous for Robinson. In fact, this routine military exercise sometimes feels like a warmed-over version of that Sean Connery gripper.

"Phantom" can be honored, though, for its exploration of the nature of heroism. And viewers of faith will be pleased—if not, perhaps, entirely satisfied -- by its sporadic showcasing of Demi's frayed but enduring ties to the Russian Orthodox Church. While Bruni is motivated by a narrow and fanatical patriotism, Demi's broader humanism can be read as an outgrowth of his Christian beliefs.

The film contains some gory violence and intense gunplay, a suicide, fleeting semi-graphic sexual activity, a couple of uses of profanity, at least one rough term and occasional crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Lorenzo Ruiz and Companions: Lawrence (Lorenzo) was born in Manila of a Chinese father and a Filipino mother, both Christians. Thus he learned Chinese and Tagalog from them and Spanish from the Dominicans whom he served as altar boy and sacristan. He became a professional calligrapher, transcribing documents in beautiful penmanship. He was a full member of the Confraternity of the Holy Rosary under Dominican auspices. He married and had two sons and a daughter. 
<p>His life took an abrupt turn when he was accused of murder. Nothing further is known except the statement of two Dominicans that "he was sought by the authorities on account of a homicide to which he was present or which was attributed to him." </p><p>At that time three Dominican priests, Antonio Gonzalez, Guillermo Courtet and Miguel de Aozaraza, were about to sail to Japan in spite of a violent persecution there. With them was a Japanese priest, Vicente Shiwozuka de la Cruz, and a layman named Lazaro, a leper. Lorenzo, having taken asylum with them, was allowed to accompany them. But only when they were at sea did he learn that they were going to Japan. </p><p>They landed at Okinawa. Lorenzo could have gone on to Formosa, but, he reported, "I decided to stay with the Fathers, because the Spaniards would hang me there." In Japan they were soon found out, arrested and taken to Nagasaki. The site of wholesale bloodshed when the atomic bomb was dropped had known tragedy before. The 50,000 Catholics who once lived there were dispersed or killed by persecution. </p><p>They were subjected to an unspeakable kind of torture: After huge quantities of water were forced down their throats, they were made to lie down. Long boards were placed on their stomachs and guards then stepped on the ends of the boards, forcing the water to spurt violently from mouth, nose and ears. </p><p>The superior, Antonio, died after some days. Both the Japanese priest and Lazaro broke under torture, which included the insertion of bamboo needles under their fingernails. But both were brought back to courage by their companions. </p><p>In Lorenzo's moment of crisis, he asked the interpreter, "I would like to know if, by apostatizing, they will spare my life." The interpreter was noncommittal, but Lorenzo, in the ensuing hours, felt his faith grow strong. He became bold, even audacious, with his interrogators. </p><p>The five were put to death by being hanged upside down in pits. Boards fitted with semicircular holes were fitted around their waists and stones put on top to increase the pressure. They were tightly bound, to slow circulation and prevent a speedy death. They were allowed to hang for three days. By that time Lorenzo and Lazaro were dead. The three Dominican priests, still alive, were beheaded. </p><p>In 1987, Blessed John Paul II canonized these six and 10 others, Asians and Europeans, men and women, who spread the faith in the Philippines, Formosa and Japan. Lorenzo Ruiz is the first canonized Filipino martyr.</p> American Catholic Blog We don’t have to scrub off our sin so God can love us. Instead, when we allow God’s healing love to touch us, we want to leave sin behind. Growth starts in love, not in guilt.

 
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