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ON FAITH & MEDIA View Comments

Phantom

By
John Mulderig
Source: Catholic News Service


David Duchovny stars in a scene from the movie "Phantom."
Set primarily on a Soviet submarine in the midst of the Cold War, writer-director Todd Robinson's "Phantom" (RCR) pits a crew of seasoned sailors against a handful of the KGB's most ruthless bad guys.

His drama also implicitly contrasts the Christian faith adhered to by at least some of the former with the cynical atheism prevailing among the latter.

Robinson's speculative thriller plays off one of the most mysterious incidents in the long struggle between East and West: the 1968 sinking of K-129, a nuclear-armed Soviet sub whose loss has never been fully explained. His screenplay presents a possible scenario of what might have preceded—and caused—the disaster.

The plot centers on honorable but troubled Capt. Demi (Ed Harris). The son of a distinguished World War II-era naval commander, Demi's own career has been blighted by an incident we initially glimpse only in strobe-lit flashbacks.

On the verge of retirement, Demi is entrusted with a final mission, one seemingly designed to humiliate him. He's ordered to take the helm of an obsolete, diesel-fueled clunker, and steer it through its final voyage.

Accompanying him will be a group of unwanted guests: intelligence operatives led by steel-willed Agent Bruni (David Duchovny).

Demi's dislike of Bruni and his ilk turns to suspicion after he discovers that Bruni is bent on a high-stakes clandestine operation that may or may not have been sanctioned by Moscow. As he and Bruni struggle for control of the creaky vessel, with its vast destructive power, the lower ranks are forced to choose sides.

Comparisons between this dive and 1990's "The Hunt for Red October" are perhaps inevitable; they are unlikely to prove advantageous for Robinson. In fact, this routine military exercise sometimes feels like a warmed-over version of that Sean Connery gripper.

"Phantom" can be honored, though, for its exploration of the nature of heroism. And viewers of faith will be pleased—if not, perhaps, entirely satisfied -- by its sporadic showcasing of Demi's frayed but enduring ties to the Russian Orthodox Church. While Bruni is motivated by a narrow and fanatical patriotism, Demi's broader humanism can be read as an outgrowth of his Christian beliefs.

The film contains some gory violence and intense gunplay, a suicide, fleeting semi-graphic sexual activity, a couple of uses of profanity, at least one rough term and occasional crude and crass language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Rose Philippine Duchesne: Born in Grenoble, France, of a family that was among the new rich, Philippine learned political skills from her father and a love of the poor from her mother. The dominant feature of her temperament was a strong and dauntless will, which became the material—and the battlefield—of her holiness. She entered the convent at 19 and remained despite their opposition. As the French Revolution broke, the convent was closed, and she began taking care of the poor and sick, opened a school for homeless children and risked her life helping priests in the underground. 
<p>When the situation cooled, she personally rented her old convent, now a shambles, and tried to revive its religious life. The spirit was gone, and soon there were only four nuns left. They joined the infant Society of the Sacred Heart, whose young superior, St. Madeleine Sophie Barat, would be her lifelong friend. In a short time Philippine was a superior and supervisor of the novitiate and a school. But her ambition, since hearing tales of missionary work in Louisiana as a little girl, was to go to America and work among the Indians. At 49, she thought this would be her work. With four nuns, she spent 11 weeks at sea en route to New Orleans, and seven weeks more on the Mississippi to St. Louis. She then met one of the many disappointments of her life. The bishop had no place for them to live and work among Native Americans. Instead, he sent her to what she sadly called "the remotest village in the U.S.," St. Charles, Missouri. With characteristic drive and courage, she founded the first free school for girls west of the Mississippi. </p><p>It was a mistake. Though she was as hardy as any of the pioneer women in the wagons rolling west, cold and hunger drove them out—to Florissant, Missouri, where she founded the first Catholic Indian school, adding others in the territory. "In her first decade in America, Mother Duchesne suffered practically every hardship the frontier had to offer, except the threat of Indian massacre—poor lodging, shortages of food, drinking water, fuel and money, forest fires and blazing chimneys, the vagaries of the Missouri climate, cramped living quarters and the privation of all privacy, and the crude manners of children reared in rough surroundings and with only the slightest training in courtesy" (Louise Callan, R.S.C.J., <i>Philippine Duchesne</i>). </p><p>Finally at 72, in poor health and retired, she got her lifelong wish. A mission was founded at Sugar Creek, Kansas, among the Potawatomi. She was taken along. Though she could not learn their language, they soon named her "Woman-Who-Prays-Always." While others taught, she prayed. Legend has it that Native American children sneaked behind her as she knelt and sprinkled bits of paper on her habit, and came back hours later to find them undisturbed. She died in 1852 at the age of 83 and was canonized in 1988.</p> American Catholic Blog It was important for some saints to vanish from view, to “decrease” so that God could “increase” in the scheme of things. Many saints actively fought promotions. If obedience required embracing them, they found other ways to remain lowly.

 
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