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ON FAITH & MEDIA View Comments

Jack the Giant Slayer

By
John Mulderig
Source: Catholic News Service


Sentry Giant, a digitally animated character voiced by Peter Elliott, is seen in the movie "Jack the Giant Slayer."
Faith-tinged and fun, "Jack the Giant Slayer" (Warner Bros.) is director Bryan Singer's 3-D retelling of the classic fairy tale, into which screenwriters Christopher McQuarrie and Dan Studney blend elements of the related story "Jack and the Beanstalk."

The resulting hybrid, which also combines live action and animation, offers teens and their elders a mostly harmless adventure.

Still, the gruesome fates awaiting various bad guys, together with a touch of salty language, make this fable inappropriate fare for the smallest members of its source material's original audience.

We all know Jack (Nicholas Hoult): Absent-minded but goodhearted, he exchanges a perfectly serviceable horse for a handful of purportedly magic beans. In this version, the same trip to the market finds Jack, a mere peasant boy, falling for the plucky Princess Isabelle (Eleanor Tomlinson) who is, in turn, equally taken with him.

Their newfound romance is imperiled, however, when one of the aforesaid legumes shows that it has supernatural qualities after all. Accidentally exposed to water, it suddenly sprouts into a gigantic beanstalk, carrying poor Isabelle aloft to a land of aggressive giants.

Unfortunately for Isabelle, these outsized ogres—led by the two-headed Gen. Fallon (voice of Bill Nighy)—have a taste for human flesh. So a rescue mission is imperative.

In the course of this perilous quest, Jack gains the patronage of a chivalrous nobleman named Elmont (Ewan McGregor) who becomes his patron. But he incurs the displeasure of Roderick (Stanley Tucci), a conniving official in the court of Isabelle's father, King Brahmwell (Ian McShane).

With the cooperation of the guileless king, but much against the princess' own will, slippery Roderick has been angling for an arranged marriage with Isabelle.

In the alternate version of the Middle Ages that provides the setting for "Jack the Giant Slayer," monks and other characters freely, if only incidentally, acknowledge God. They bless themselves at times of danger and offer each other encouragement with such phrases as "May God help you."

Though the details of the overly complicated back story reveal that some monks once dabbled in the "black arts," they are said to have done so only under compulsion. Their successors are now anxious to make up for this lapse by advancing the cause of good—even at the cost of considerable sacrifice. As one of their number puts it, "We owe it to God."

The film contains scenes of bloodless but potentially disturbing violence, brief references to the occult, some mildly scatological humor and a couple of crass terms. The Catholic News Service classification is A-II—adults and adolescents. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Gabriel of Our Lady of Sorrows: Born in Italy into a large family and baptized Francis, he lost his mother when he was only four years old. He was educated by the Jesuits and, having been cured twice of serious illnesses, came to believe that God was calling him to the religious life. Young Francis wished to join the Jesuits but was turned down, probably because of his age, not yet 17. Following the death of a sister to cholera, his resolve to enter religious life became even stronger and he was accepted by the Passionists. Upon entering the novitiate he was given the name Gabriel of Our Lady of Sorrows.
<p>Ever popular and cheerful, Gabriel quickly was successful in his effort to be faithful in little things. His spirit of prayer, love for the poor, consideration of the feelings of others, exact observance of the Passionist Rule as well as his bodily penances—always subject to the will of his wise superiors— made a deep impression on everyone.
</p><p>His superiors had great expectations of Gabriel as he prepared for the priesthood, but after only four years of religious life symptoms of tuberculosis appeared. Ever obedient, he patiently bore the painful effects of the disease and the restrictions it required, seeking no special notice. He died peacefully on February 27, 1862, at age 24, having been an example to both young and old.
</p><p>Gabriel of Our Lady of Sorrows was canonized in 1920.</p> American Catholic Blog Life is not always happy, but our connections to others can create a simple and grace-filled quiet celebration of our own and others’ lives. These others are the presence of Christ in our lives.


 
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