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ON FAITH & MEDIA View Comments

Safe Haven

By
Joseph McAleer
Source: Catholic News Service


Julianne Hough and Josh Duhamel star in a scene from the movie "Safe Haven."
Somehow it just wouldn't be Valentine's Day without a gooey adaptation of a tale by Catholic novelist Nicholas Sparks, the current master of the romantic drama.

This year, it's "Safe Haven" (Relativity), Lasse Hallstrom's screen version of Sparks' 2010 novel of the same title. Hallstrom is a veteran of the genre, having directed the Sparks-based "Dear John" in 2010.

This latest cinematic confection, however, has a morally dubious core that will leave ethically conscientious audience members with an unpleasant aftertaste.

All of the requisite Sparks elements are present here: an attractive couple, a tear-jerking love story, a pair of adorable kids, and a beautiful setting along the North Carolina coast. There's also a hint of mystery and a menacing backstory reminiscent of the 1991 Julia Roberts weepie, "Sleeping with the Enemy."

Katie (Julianne Hough) steps off the bus in the seaside town of Southport and decides to stay. She's been running from something sinister but is now determined to make a fresh start in a decidedly Rockwellian place with friendly people and family values to spare. So she gets a job, buys a cabin in the woods, and paints it yellow, a "happy color."

She heeds the wisdom of her new neighbor, Jo (Cobie Smulders), who proclaims, "Life is full of second chances."

Once Katie lets down her defenses and learns to trust others, her life is full of Alex (Josh Duhamel), a lonely widower who runs Southport's general store. Katie warms to him and his two moppets and, before long, the music swells, the sun sets in glorious reds and oranges, oysters are consumed, slow dances are lingered over—and love blossoms.

Not so fast, as Katie's past begins to catch up with her, threatening the safe haven she has found. The gun-toting Kevin (David Lyons) arrives on the scene, having doggedly pursued Katie for some time.

Delving into the details would constitute a spoiler. Suffice it to say that Kevin's appearance is not only bad news for Katie and Alex, but for viewers committed to Judeo-Christian values as well.

The film contains brief violence, an ambiguous attitude toward marital fidelity, nongraphic adulterous sexual activity with fleeting partial nudity and a few instances each of profane and rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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