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ON FAITH & MEDIA View Comments

Beautiful Creatures

By
John Mulderig
Source: Catholic News Service


Alden Ehrenreich and Alice Englert star in a scene from the movie "Beautiful Creatures."
On its surface, the gothic romance "Beautiful Creatures" (Warner Bros.) comprises a passable if pretentious, blend of supernatural elements reminiscent of the "Twilight" franchise and a lush setting straight out of a Nicholas Sparks adaptation.

But a mixed religious outlook makes the occult elements underlying writer-director Richard LaGravenese's screen version of Kami Garcia and Margaret Stohl's 2009 novel more troubling than they might otherwise seem.

In fact, few in the targeted audience of teen date movie consumers are likely to possess the discernment necessary to bring this kaleidoscope of positive and negative spiritual attitudes into proper focus.

Viewed from the perspective of restless teen Ethan Wate (Alden Ehrenreich), life in the small town of Gatlin, S.C., is nothing short of a nightmare. Overrun with churches and populated by moronic, book-banning evangelical Christians, it's a venue of stultifying boredom.

All that begins to change, though, with the arrival of mysterious new-girl-in-town Lena Duchannes (Alice Englert), for whom Ethan quickly falls.

Like Ethan, who can't get enough of Kurt Vonnegut Jr.'s "Slaughterhouse-Five," Lena is a literary rebel. She not only fancies Harper Lee's "To Kill a Mockingbird"—which the Gatlin authorities, for unexplained reasons, have seen fit to censor—but the works of anarchic poet Charles Bukowski as well. (How LaGravenese resists the temptation to drop angst icon Sylvia Plath's name into the mix is anyone's guess.)

Since Lena's blue-state cultural tastes obviously make her "different," her blinkered classmates and their equally close-minded parents jump to the ridiculous conclusion that she's a witch. Thing is, they're right. But Ethan is no disapproving Darrin Stephens of "Bewitched," so this revelation doesn't bother him a bit.

Still, it's not all monotony-breaking fun and games for Ethan and Lena. Their heterogeneous relationship draws the steadfast opposition of Lena's warlock uncle and guardian Macon Ravenwood (Jeremy Irons); it also places them at risk due to the schemes of her spell-casting mother, Sarafine (Emma Thompson).

Appropriately, given that he's 17 and she's approaching her 16th birthday -- a pivotal event in the life of a young witch, so we're told—Ethan and Lena's physical interaction is generally restrained. One scene, however, does end ambiguously enough to leave the audience wondering whether their onscreen necking leads on, after the cut-away, to something less acceptable.

In the case of Ethan's best pal, Link (Thomas Mann), plot complications and writhing visuals leave us in no doubt that he has been seduced, as well as bewitched, by Ridley (Emmy Rossum), a troublemaking relative of Lena's.

By contrast to the mercilessly caricatured Anglo-Saxons of Gatlin, the burgh's African-American librarian Amma (Viola Davis) is enlightenment personified. Thus she blithely combines her role as a custodian of conjuring lore—as well as her practice of seeking guidance from deceased ancestors after placating them by placing tidbits of their favorite foods on top of their graves—with faithful church attendance.

The wrap-up does celebrate the power of sacrificial love, a theme obviously in keeping with scriptural faith, and even a local preacher's sermon is used to reinforce this message. But by then, most of the Christians of Gatlin have been shown to be so hateful—and witchcraft portrayed as so much fun—that impressionable viewers may be too confused to pick the wheat from the chaff.

The film contains an ambivalent portrayal of Christianity, brief sacrilegious behavior, restrained scenes of violence with fleeting gore, semi-graphic nonmarital sexual activity, at least one use of profanity and some crude and crass language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
John Mulderig is on the staff of Catholic News Service.



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Peter of Alcantara: Peter was a contemporary of well-known 16th-century Spanish saints, including Ignatius of Loyola and John of the Cross. He served as confessor to St. Teresa of Avila. Church reform was a major issue in Peter’s day, and he directed most of his energies toward that end. His death came one year before the Council of Trent ended. 
<p>Born into a noble family (his father was the governor of Alcantara in Spain), Peter studied law at Salamanca University and, at 16, joined the so-called Observant Franciscans (also known as the discalced, or barefoot, friars). While he practiced many penances, he also demonstrated abilities which were soon recognized. He was named the superior of a new house even before his ordination as a priest; at the age of 39, he was elected provincial; he was a very successful preacher. Still, he was not above washing dishes and cutting wood for the friars. He did not seek attention; indeed, he preferred solitude.</p><p>Peter’s penitential side was evident when it came to food and clothing. It is said that he slept only 90 minutes each night. While others talked about Church reform, Peter’s reform began with himself. His patience was so great that a proverb arose: "To bear such an insult one must have the patience of Peter of Alcantara."</p><p>In 1554, Peter, having received permission, formed a group of Franciscans who followed the Rule of St. Francis with even greater rigor. These friars were known as Alcantarines. Some of the Spanish friars who came to North and South America in the 16th, 17th and 18th centuries were members of this group. At the end of the 19th century, the Alcantarines were joined with other Observant friars to form the Order of Friars Minor.</p><p>As spiritual director to St. Teresa, Peter encouraged her in promoting the Carmelite reform. His preaching brought many people to religious life, especially to the Secular Franciscan Order, the friars and the Poor Clares.</p><p>He was canonized in 1669.</p> American Catholic Blog Remember the widow’s mite. She threw into the treasury of the temple only two small coins, but with them, all her great love…. It is, above all, the interior value of the gift that counts: the readiness to share everything, the readiness to give oneself. —Pope John Paul II

 
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