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ON FAITH & MEDIA View Comments

Side Effects

By
John Mulderig
Source: Catholic News Service


Jude Law and Catherine Zeta-Jones star in a scene from the movie "Side Effects."
Intriguing but somewhat sordid, the psychiatry-themed drama Side Effects (Open Road) messes, quite successfully, with viewers' heads. Mature moviegoers may enjoy following the twisting trail of director Steven Soderbergh's clever puzzler.

Yet a number of red-flag elements preclude not only youngsters but those in search of casual diversion as well.

This is the story of British-born, New York-based analyst Dr. Jonathan Banks (Jude Law) and one of his patients, Emily Taylor (Rooney Mara).

Emily suffers from depression and suicidal tendencies. But she also has more concrete troubles: Her formerly high-flying husband, Martin (Channing Tatum), has just finished serving a prison term for insider trading. With his arrest, their idyllic suburban lifestyle was left in ruins, and Emily has been struggling to make ends meet ever since.

As Martin works to re-establish himself, Dr. Banks experiments, all too casually, with various anti-depressants for Emily. One of them turns out to have side effects in the form of sleepwalking and unconscious behavior. But Emily prefers these consequences to the far more unpleasant symptoms—like sudden nausea—induced by other prescriptions she's tried. So, at her behest, Dr. Banks keeps her on the drug.

Soon after, however, Emily commits a sensational crime under the hypnosislike influence of the medication. The ensuing firestorm of negative publicity threatens to destroy Dr. Banks' career.

All is not what it seems, of course—as Dr. Banks discovers once he begins to dig into Emily's past, including her relationship with her former shrink, Dr. Victoria Siebert (Catherine Zeta-Jones).

Scott Z. Burns' script raises implicit questions about a society awash in pharmaceuticals that may be more beneficial to their manufacturers' bottom line than to those taking them. But a handful of sexual encounters, some of them aberrant—as well as the gory offense at the heart of the plot—mean the rough-edged pieces of this jigsaw are for the sturdiest only.

The film contains brief but bloody violence, graphic marital lovemaking with fleeting nudity, semi-graphic lesbian sensuality, mature themes, including mental illness and suicide, at least one use of profanity as well as some rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Feast of the Guardian Angels: Perhaps no aspect of Catholic piety is as comforting to parents as the belief that an angel protects their little ones from dangers real and imagined. Yet guardian angels are not only for children. Their role is to represent individuals before God, to watch over them always, to aid their prayer and to present their souls to God at death. 
<p>The concept of an angel assigned to guide and nurture each human being is a development of Catholic doctrine and piety based on Scripture but not directly drawn from it. Jesus' words in Matthew 18:10 best support the belief: "See that you do not despise one of these little ones, for I say to you that their angels in heaven always look upon the face of my heavenly Father." </p><p>Devotion to the angels began to develop with the birth of the monastic tradition. St. Benedict gave it impetus and Bernard of Clairvaux, the great 12th-century reformer, was such an eloquent spokesman for the guardian angels that angelic devotion assumed its current form in his day. </p><p>A feast in honor of the guardian angels was first observed in the 16th century. In 1615, Pope Paul V added it to the Roman calendar.</p> American Catholic Blog Nothing then, must keep us back, nothing separate us from Him, and nothing come between us and Him.

 
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