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ON FAITH & MEDIA View Comments

Amour

By
Kurt Jensen
Source: Catholic News Service


Jean-Louis Trintignant and Emmanuelle Riva star in a scene from the movie "Amour."
If "Amour" (Sony Classics) makes you want to check in on your parents or grandparents, it's done its job. Late plot developments, however, make this a film even mature viewers will need to approach with caution and prudence.

The French-language drama is meant to provoke discussion and to be disturbing, despite its generally sensitive portrayal of enduring love expressed by an elderly couple. Nothing about either aging or debilitating infirmity is sanitized or whisked away.

Georges (Jean-Louis Trintignant) and Anne (Emmanuelle Riva) are retired music teachers, both in their 80s, living in Paris. A series of strokes causes Anne to lose control of her right side, then renders her incontinent, then robs her of speech. After that, she begins to refuse nourishment.

Everything takes place in their apartment because after her first hospital visit, Anne made Georges promise not to put her there again, and he tries to get by with home nurses. Confronted by their daughter, Eva (Isabelle Huppert), about why he doesn't consider a hospice, Georges replies, "What they do there, we can do here. I promised her that."

But at what price to his own sanity? The film's stately pacing doesn't conceal the damage to either husband or wife.

Writer-director Michael Haneke doesn't make subtle movies. He directs raw, unbending statements on moral behavior, as he did in his last film, "The White Ribbon" (2009), which showed the roots of Nazi cruelty in Germany.

The act-of-madness resolution in "Amour" does not comport with Catholic teaching—far from it, in fact. But the objectively sinful behavior portrayed takes place in the context of increasing desperation. Unsupported by the comforting milieu of a hospice and devoid of faith, the character involved is overwhelmed.

In "The White Ribbon," Haneke was quite cruel toward German Lutheranism, portraying it strictly as a form of oppression. So the absence of religion here may not be altogether a negative development.

Death and dying are experiences focused on by all faiths, but rarely addressed—at least honestly—in film. Well-grounded audience members can interpret the film using their own prisms of faith, as well as their own experiences with the grim subject matter.

Subtitles.

The film contains mature themes and objectively immoral actions, fleeting upper female nudity, a single use of profanity and an instance of rough language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Kurt Jensen is a guest reviewer for Catholic News Service.



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Teresa of Kolkata (Calcutta): Mother Teresa of Kolkata, the tiny woman recognized throughout the world for her work among the poorest of the poor, was beatified October 19, 2003. Among those present were hundreds of Missionaries of Charity, the order she founded in 1950 as a diocesan religious community. Today the congregation also includes contemplative sisters and brothers and an order of priests. 
<p>Born to Albanian parents in what is now Skopje, Macedonia (then part of the Ottoman Empire), Gonxha (Agnes) Bojaxhiu was the youngest of the three children who survived. For a time, the family lived comfortably, and her father's construction business thrived. But life changed overnight following his unexpected death. </p><p>During her years in public school Agnes participated in a Catholic sodality and showed a strong interest in the foreign missions. At age 18 she entered the Loreto Sisters of Dublin. It was 1928 when she said goodbye to her mother for the final time and made her way to a new land and a new life. The following year she was sent to the Loreto novitiate in Darjeeling, India. There she chose the name Teresa and prepared for a life of service. She was assigned to a high school for girls in Kolkata, where she taught history and geography to the daughters of the wealthy. But she could not escape the realities around her—the poverty, the suffering, the overwhelming numbers of destitute people. </p><p>In 1946, while riding a train to Darjeeling to make a retreat, Sister Teresa heard what she later explained as “a call within a call. The message was clear. I was to leave the convent and help the poor while living among them.” She also heard a call to give up her life with the Sisters of Loreto and, instead, to “follow Christ into the slums to serve him among the poorest of the poor.” </p><p>After receiving permission to leave Loreto, establish a new religious community and undertake her new work, she took a nursing course for several months. She returned to Kolkata, where she lived in the slums and opened a school for poor children. Dressed in a white sari and sandals (the ordinary dress of an Indian woman) she soon began getting to know her neighbors—especially the poor and sick—and getting to know their needs through visits. </p><p>The work was exhausting, but she was not alone for long. Volunteers who came to join her in the work, some of them former students, became the core of the Missionaries of Charity. Others helped by donating food, clothing, supplies, the use of buildings. In 1952 the city of Kolkata gave Mother Teresa a former hostel, which became a home for the dying and the destitute. As the order expanded, services were also offered to orphans, abandoned children, alcoholics, the aging, and street people. </p><p>For the next four decades Mother Teresa worked tirelessly on behalf of the poor. Her love knew no bounds. Nor did her energy, as she crisscrossed the globe pleading for support and inviting others to see the face of Jesus in the poorest of the poor. In 1979 she was awarded the Nobel Peace Prize. On September 5, 1997, God called her home.</p> American Catholic Blog A healthy marriage is that it is a witness of Jesus’s love for the 
Church. We are the bride of Christ, and the greatest declaration of the groom’s love is found at the cross. The complete gift of self by Jesus at Calvary is so entire that it is life-giving.

The Spirit of Saint Francis

 
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