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ON FAITH & MEDIA View Comments

Mama

By
John Mulderig
Source: Catholic News Service


Isabelle Nelisse stars in a scene from the movie "Mama."
As thrillers go, "Mama" (Universal) is no more than competent. But director Andy Muschietti's film—which he co-wrote with his sister, Barbara, and Neil Cross—can be commended for avoiding gore and for the pro-family conversion in outlook experienced by one of its main characters.

Expanding their 2008 Spanish-language short, whose title was the Castilian version of the eponymous endearment, the Muschiettis tell the story of young sisters Victoria (Megan Charpentier) and Lilly (Isabelle Nelisse).

After their parents die in violent circumstances—some details of which, though they happen early on, would constitute a spoiler—the girls spend years stranded in an isolated cabin in the woods. Eventually, though, searchers hired by their Uncle Lucas (Nikolaj Coster-Waldau) manage to track them down and rescue them.

Together with his live-in girlfriend Annabel (Jessica Chastain), the drummer in a rock band, artist Lucas becomes the siblings' guardian and places them under the continued care of therapist Dr. Dreyfuss (Daniel Kash). (Dreyfuss was originally put on the case by the court determining the kids' custody.)

Dreyfuss works to overcome the children's feral ways, which include scrambling about on all fours and eating bugs and other nasty menu items. But disturbing events begin to suggest that the wraith-like figure of the title—who, so the little ones claim, looked after them in the wilderness—has followed them to civilization.

Predictably, the apparition's back story involves both an asylum and an orphanage. The latter institution is run by a staff of nuns who, though they're given scant screen time, are nonetheless portrayed in an endearing light.

If "Mama" has any thematic weight it derives from the transformation Annabel undergoes. Our first glimpse of her finds her offering a silent prayer of thanks in response to the negative outcome of an at-home pregnancy test. So only her devotion to Lucas drives her—despite considerable reluctance—to take on the role of parental stand-in to Victoria and Lilly. Yet, by the closing credits, she's become a fiercely dedicated adoptive mother, fighting for the duo's hearts as well as their survival.

Though this is hardly drama of the highest order, Annabel's positive spiritual path does present a welcome contrast to the innumerable templates of family dysfunction to be found at the local multiplex.

The film contains occasional bloodless violence, cohabitation, a brief nongraphic bedroom scene, a few uses of profanity as well as at least one rough and a handful of crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

John Mulderig is on the staff of Catholic News Service.



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Anthony Claret: The "spiritual father of Cuba" was a missionary, religious founder, social reformer, queen’s chaplain, writer and publisher, archbishop and refugee. He was a Spaniard whose work took him to the Canary Islands, Cuba, Madrid, Paris and to the First Vatican Council. 
<p>In his spare time as weaver and designer in the textile mills of Barcelona, he learned Latin and printing: The future priest and publisher was preparing. Ordained at 28, he was prevented by ill health from entering religious life as a Carthusian or as a Jesuit, but went on to become one of Spain’s most popular preachers. </p><p>He spent 10 years giving popular missions and retreats, always placing great emphasis on the Eucharist and devotion to the Immaculate Heart of Mary. Her rosary, it was said, was never out of his hand. At 42, beginning with five young priests, he founded a religious institute of missionaries, known today as the Claretians. </p><p>He was appointed to head the much-neglected archdiocese of Santiago in Cuba. He began its reform by almost ceaseless preaching and hearing of confessions, and suffered bitter opposition mainly for opposing concubinage and giving instruction to black slaves. A hired assassin (whose release from prison Anthony had obtained) slashed open his face and wrist. Anthony succeeded in getting the would-be assassin’s death sentence commuted to a prison term. His solution for the misery of Cubans was family-owned farms producing a variety of foods for the family’s own needs and for the market. This invited the enmity of the vested interests who wanted everyone to work on a single cash crop—sugar. Besides all his religious writings are two books he wrote in Cuba: <i>Reflections on Agriculture</i> and <i>Country Delights</i>. </p><p>He was recalled to Spain for a job he did not relish—being chaplain for the queen. He went on three conditions: He would reside away from the palace, he would come only to hear the queen’s confession and instruct the children and he would be exempt from court functions. In the revolution of 1868, he fled with the queen’s party to Paris, where he preached to the Spanish colony. </p><p>All his life Anthony was interested in the Catholic press. He founded the Religious Publishing House, a major Catholic publishing venture in Spain, and wrote or published 200 books and pamphlets. </p><p>At Vatican I, where he was a staunch defender of the doctrine of infallibility, he won the admiration of his fellow bishops. Cardinal Gibbons of Baltimore remarked of him, "There goes a true saint." At the age of 63, he died in exile near the border of Spain.</p> American Catholic Blog The greatest tragedy of our world is that men do not know, really know, that God loves them. Some believe it in a shadowy sort of way. If they were to really think about it they would soon realize that their belief in God’s love for them is very remote and abstract. Because of this lack of realization of God’s love for them, men do not know how to love God back. —Catherine de Hueck Doherty

 
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