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ON FAITH & MEDIA View Comments

Mama

By
John Mulderig
Source: Catholic News Service


Isabelle Nelisse stars in a scene from the movie "Mama."
As thrillers go, "Mama" (Universal) is no more than competent. But director Andy Muschietti's film—which he co-wrote with his sister, Barbara, and Neil Cross—can be commended for avoiding gore and for the pro-family conversion in outlook experienced by one of its main characters.

Expanding their 2008 Spanish-language short, whose title was the Castilian version of the eponymous endearment, the Muschiettis tell the story of young sisters Victoria (Megan Charpentier) and Lilly (Isabelle Nelisse).

After their parents die in violent circumstances—some details of which, though they happen early on, would constitute a spoiler—the girls spend years stranded in an isolated cabin in the woods. Eventually, though, searchers hired by their Uncle Lucas (Nikolaj Coster-Waldau) manage to track them down and rescue them.

Together with his live-in girlfriend Annabel (Jessica Chastain), the drummer in a rock band, artist Lucas becomes the siblings' guardian and places them under the continued care of therapist Dr. Dreyfuss (Daniel Kash). (Dreyfuss was originally put on the case by the court determining the kids' custody.)

Dreyfuss works to overcome the children's feral ways, which include scrambling about on all fours and eating bugs and other nasty menu items. But disturbing events begin to suggest that the wraith-like figure of the title—who, so the little ones claim, looked after them in the wilderness—has followed them to civilization.

Predictably, the apparition's back story involves both an asylum and an orphanage. The latter institution is run by a staff of nuns who, though they're given scant screen time, are nonetheless portrayed in an endearing light.

If "Mama" has any thematic weight it derives from the transformation Annabel undergoes. Our first glimpse of her finds her offering a silent prayer of thanks in response to the negative outcome of an at-home pregnancy test. So only her devotion to Lucas drives her—despite considerable reluctance—to take on the role of parental stand-in to Victoria and Lilly. Yet, by the closing credits, she's become a fiercely dedicated adoptive mother, fighting for the duo's hearts as well as their survival.

Though this is hardly drama of the highest order, Annabel's positive spiritual path does present a welcome contrast to the innumerable templates of family dysfunction to be found at the local multiplex.

The film contains occasional bloodless violence, cohabitation, a brief nongraphic bedroom scene, a few uses of profanity as well as at least one rough and a handful of crude and crass terms. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****

John Mulderig is on the staff of Catholic News Service.



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Dominic of Silos: It’s not the founder of the Dominicans we honor today, but there’s a poignant story that connects both Dominics. 
<p>Our saint today, Dominic of Silos, was born in Spain around the year 1000 into a peasant family. As a young boy he spent time in the fields, where he welcomed the solitude. He became a Benedictine priest and served in numerous leadership positions. Following a dispute with the king over property, Dominic and two other monks were exiled. They established a new monastery in what at first seemed an unpromising location. Under Dominic’s leadership, however, it became one of the most famous houses in Spain. Many healings were reported there. </p><p>About 100 years after Dominic’s death, a young woman made a pilgrimage to his tomb. There Dominic of Silos appeared to her and assured her that she would bear another son. The woman was Joan of Aza, and the son she bore grew up to be the "other" Dominic—the one who founded the Dominicans. </p><p>For many years thereafter, the staff used by St. Dominic of Silos was brought to the royal palace whenever a queen of Spain was in labor. That practice ended in 1931.</p> American Catholic Blog In a short time we will celebrate the fact that God has come to us so that we can be with him now and forever. The birth of the Son fulfills God’s longing to speak to us as one friend speaks to another.

 
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