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ON FAITH & MEDIA View Comments

Quartet

By
Joseph McAleer
Source: Catholic News Service


Billy Connolly, Maggie Smith, Tom Courtenay and Pauline Collins star in a scene from the movie "Quartet."
Dustin Hoffman steps behind the camera for his directorial debut with "Quartet" (Weinstein), a comedy-drama about musical artists who face the ultimate curtain call: a date with the Grim Reaper.

Based on the play by Ronald Harwood (who also wrote the screenplay), "Quartet" casts senior citizens in the same warm and fuzzy glow as last year's "The Best Exotic Marigold Hotel." Amid the gags and catfights, however, lie serious reflections on the challenges of aging and a reminder to embrace the talents of our still-vital elderly.

Beecham House in the picturesque English countryside is a home for retired singers and musicians. As such, it's a haven for eccentrics and outsize egos, ringing true Bette Davis' famous observation, "Old age is not for sissies."

Impresario Cedric Livingston (Michael Gambon) corrals the residents to put on a fundraiser every year on composer Giuseppe Verdi's birthday. His dream is to reunite four legendary opera singers who once performed the "Quartet" from Verdi's "Rigoletto."

"It would be as if Maria Callas made her comeback," he predicts.

The ensemble is made up of newly arrived, acid-tongued diva Jean Horton (Maggie Smith), her gentle ex-husband Reginald Paget (Tom Courtenay), dotty Cecily Robson (Pauline Collins), who's in the early stages of dementia, and randy rogue Wilfred Bond (Billy Connolly). Wilf, as he's known, is forever flirting with the young staff.

All of the singers are keen for the reunion, except Jean, who fears stepping into the spotlight again. "My gift deserted me," she tells Reginald.

"It deserted us all," he says. "It's called life."

Jean has an ulterior motive: to reconcile with Reginald, whom she abandoned for an affair with a rival tenor. She regrets the indiscretion, but Reginald is still bitter.

"I wanted a dignified senility," he muses. "Fat chance now that she's here."

Still, the show must go on, and nothing tempts an aging performer more than the smell of greasepaint and the glare of the footlights.

The salty language in "Quartet" and the script's rather juvenile obsession with sex (it's ripe with British euphemisms like "rumpy-pumpy") distract somewhat from the fun of watching the veteran actors perform as well as from the pleasures afforded by the glorious soundtrack.

The film contains sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

*****
Joseph McAleer is a guest reviewer for Catholic News Service.





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Jutta of Thuringia: Today's patroness of Prussia began her life amidst luxury and power but died the death of a simple servant of the poor.
<p>In truth, virtue and piety were always of prime importance to Jutta and her husband, both of noble rank. The two were set to make a pilgrimage together to the holy places in Jerusalem, but her husband died on the way. The newly widowed Jutta, after taking care to provide for her children, resolved to live in a manner utterly pleasing to God. She disposed of the costly clothes, jewels and furniture befitting one of her rank, and became a Secular Franciscan, taking on the simple garment of a religious.
</p><p>From that point her life was utterly devoted to others: caring for the sick, particularly lepers; tending to the poor, whom she visited in their hovels; helping the crippled and blind with whom she shared her own home. Many of the townspeople of Thuringia laughed at how the once-distinguished lady now spent all her time. But Jutta saw the face of God in the poor and felt honored to render whatever services she could.
</p><p>About the year 1260, not long before her death, Jutta lived near the non-Christians in eastern Germany. There she built a small hermitage and prayed unceasingly for their conversion. She has been venerated for centuries as the special patron of Prussia.</p> American Catholic Blog The confessional is not the dry-cleaner’s; it is an encounter with Jesus, with that Jesus who is waiting for us, who is waiting for us as we are.

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