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ON FAITH & MEDIA View Comments

Zero Dark Thirty

By
John Mulderig
Source: Catholic News Service


U.S. Navy SEALs are portrayed in a scene from the movie "Zero Dark Thirty."
"Zero Dark Thirty" (Columbia) offers moviegoers a challenging account, based on real events, of the decade-long hunt for terrorist leader Osama bin Laden.

This gritty glimpse into the underworld of acknowledged detention centers and concealed prisons, known as "black sites," raises ethical quandaries and presents content that will prove unsettling even for many adults.

The action centers on a relentlessly determined CIA officer named Maya (Jessica Chastain). Urged on by her superiors, one of whom demands that she "bring me people to kill," Maya painstakingly gathers intelligence hints concerning bin Laden's whereabouts and those of his confederates.

Eventually she weaves these slender strands of evidence together sufficiently to track America's public enemy number one to his fortified compound in Abbottabad, Pakistan. There, as enacted in the film's climax, Navy SEALs killed him in May 2011.

Some of Maya's leads are obtained by her colleague Dan (Jason Clarke), who employs both physical and psychological torture to break down the prisoners he interrogates. His techniques include water-boarding, a process that simulates the effects of drowning, close confinement and various forms of humiliation.

While director Kathryn Bigelow and screenwriter Mark Boal have crafted a compelling drama, their movie's moral stance is ambiguous. The harsh reality of so-called "enhanced interrogation," as practiced by Dan, is graphically portrayed. Yet the results of subjecting prisoners to it are shown to be effective.

Viewers will need a strong grounding in their faith to discern the proper balance between the imperative of upholding human dignity and the equally grave obligation to save innocent human lives. They will also need to guard against the temptation to revel in the death of an evildoer.

As God asks the prophet Ezekiel, "Do I find pleasure in the death of the wicked—oracle of the Lord God? Do I not rejoice when they turn from their evil way and live?" (Ez. 18:23)

In keeping with the tough-guy tone of the spying and soldiering worlds in which "Zero Dark Thirty" is set, moreover, the dialogue involves a steady assault with F-bombs and other vulgarities.

The film contains considerable violence, including scenes of torture and degradation, brief rear nudity, at least one use of profanity as well as frequent rough and crude language. The Catholic News Service classification is L—limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
John Mulderig is on the staff of Catholic News Service.



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Giles Mary of St. Joseph: In the same year that a power-hungry Napoleon Bonaparte led his army into Russia, Giles Mary of St. Joseph ended a life of humble service to his Franciscan community and to the citizens of Naples. 
<p>Francesco was born in Taranto to very poor parents. His father’s death left the 18-year-old Francesco to care for the family. Having secured their future, he entered the Friars Minor at Galatone in 1754. For 53 years he served at St. Paschal’s Hospice in Naples in various roles, such as cook, porter or most often as official beggar for that community. </p><p>“Love God, love God” was his characteristic phrase as he gathered food for the friars and shared some of his bounty with the poor—all the while consoling the troubled and urging everyone to repent. The charity which he reflected on the streets of Naples was born in prayer and nurtured in the common life of the friars. The people whom Giles met on his begging rounds nicknamed him the “Consoler of Naples.” He was canonized in 1996.</p> American Catholic Blog Jesus, our crucified Lord, you know us better than we know ourselves. Help us to see the ways in which we not only act out in selfishness, greed, or shortsightedness, but also in those ways we choose to ignore, forget, and step over aspects of our lives and others for which we need 
forgiveness.

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