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ON FAITH & MEDIA View Comments

Promised Land

By
John Mulderig
Source: Catholic News Service


Rosemarie DeWitt and Matt Damon star in a scene from the movie "Promised Land."
"Promised Land" (Focus) is a reasonably entertaining message movie about the environmental dangers of drilling for natural gas using a method called hydraulic fracturing—or fracking for short.

To some, fracking represents an easy path to energy independence for the United States—and to vast wealth for those landowners lucky enough to have the proper deposits lurking below their soil. To others, it threatens the ruin of whole swaths of previously healthy countryside through the inevitable contamination of water sources.

On screen, the cards are indisputably stacked in favor of the latter view.

Steve Butler (Matt Damon) and Sue Thomason (Frances McDormand) are a duo of energy company executives out to convince down-on-their-luck farmers in a rural Midwestern town to sell their land to the corporation. Their offer includes a percentage of future profits they glibly promise will transform the townsfolk's lives.

When the pair encounters opposition from Frank Yates (Hal Holbrook), a retired science professor, and from personable environmentalist Dustin Noble (John Krasinski), who launches a fervent campaign to thwart them, Steve begins to have second thoughts. His change of heart is also driven by his attraction to Alice (Rosemarie DeWitt), a local teacher whose regard Steve comes to value.

A gifted cast and smooth direction by Gus Van Sant help to disguise some obvious flaws. These include the homespun, all-too-pat wisdom spouted by Frank—though consummate pro Holbrook, to give him credit, almost pulls these moments off—as well as a late-reel plot twist that's nothing short of paranoid.

Fundamentally, though, there's no escaping the simplistic perspective and unmistakable anti-business bias underlying Damon and Krasinski's script. Moviegoers committed to scriptural values will, of course, appreciate the prioritizing of stewardship over greed. But the proper balance between the two may appear quite different when viewed from a failing Iowa homestead rather than a Malibu beach house.

The film contains about a dozen uses of profanity and much rough and crude language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is R—restricted. Under 17 requires accompanying parent or adult guardian.

*****
Mulderig is on the staff of Catholic News Service.



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Mark: Most of what we know about Mark comes directly from the New Testament. He is usually identified with the Mark of Acts 12:12. (When Peter escaped from prison, he went to the home of Mark's mother.) 
<p>Paul and Barnabas took him along on the first missionary journey, but for some reason Mark returned alone to Jerusalem. It is evident, from Paul's refusal to let Mark accompany him on the second journey despite Barnabas's insistence, that Mark had displeased Paul. Because Paul later asks Mark to visit him in prison, we may assume the trouble did not last long. </p><p>The oldest and the shortest of the four Gospels, the Gospel of Mark emphasizes Jesus' rejection by humanity while being God's triumphant envoy. Probably written for Gentile converts in Rome—after the death of Peter and Paul sometime between A.D. 60 and 70—Mark's Gospel is the gradual manifestation of a "scandal": a crucified Messiah. </p><p>Evidently a friend of Mark (Peter called him "my son"), Peter is only one of the Gospel sources, others being the Church in Jerusalem (Jewish roots) and the Church at Antioch (largely Gentile). </p><p>Like one other Gospel writer, Luke, Mark was not one of the 12 apostles. We cannot be certain whether he knew Jesus personally. Some scholars feel that the evangelist is speaking of himself when describing the arrest of Jesus in Gethsemane: "Now a young man followed him wearing nothing but a linen cloth about his body. They seized him, but he left the cloth behind and ran off naked" (Mark 14:51-52). </p><p>Others hold Mark to be the first bishop of Alexandria, Egypt. Venice, famous for the Piazza San Marco, claims Mark as its patron saint; the large basilica there is believed to contain his remains. </p><p>A winged lion is Mark's symbol. The lion derives from Mark's description of John the Baptist as a "voice of one crying out in the desert" (Mark 1:3), which artists compared to a roaring lion. The wings come from the application of Ezekiel's vision of four winged creatures (Ezekiel, chapter one) to the evangelists.</p> American Catholic Blog Moodiness is nothing else but the fruit of pride.

 
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