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ON FAITH & MEDIA View Comments

Hitchcock

By
Joseph McAleer
Source: Catholic News Service


Anthony Hopkins stars in a scene from the movie "Hitchcock."
The Greek philosopher Aristotle observed, "There is not great genius without a mixture of madness." Case in point: "Hitchcock" (Fox Searchlight), an absorbing portrait of the legendary film director during the making of his biggest success, the 1960 horror classic "Psycho."

The "Master of Suspense" gets quite a dressing-down in this adaptation of Stephen Rebello's 1990 book "Alfred Hitchcock and the Making of Psycho," directed by newcomer Sacha Gervasi. The famously corpulent director (Anthony Hopkins, unrecognizable under layers of prosthetics) was, apparently, a psychological mess—a compulsive voyeur who fantasized about his leading ladies and terrorized his staff.

Hitchcock was also, it seems, a control freak who suspected the motives of just about everyone, even his devoted wife, Alma (Helen Mirren).

Intriguingly, Alma seems to have been his muse—and the power behind the throne. A talented editor in her own right, this endlessly patient spouse knew how to sober "Hitch" up and save the day. The tender story of their tempestuous yet faithful marriage is a high point of the film.

In 1959, Hitchcock was the world's greatest director with a string of stylish thrillers to his name, most recently "Vertigo" and "North by Northwest." But he was always searching for his next hit, and Hollywood was changing fast.

"Audiences want to be shocked," Hitchcock observes. "They want something different."

To meet the challenge, he settles on "Psycho," a sensational novel by Robert Bloch, based on the real-life case of notorious serial killer Ed Gein. The lurid story is rejected by the studio, so Hitchcock opts to go it alone, financing the movie himself and crafting a sensational publicity campaign.

At one point, he orders this staff to purchase every copy of "Psycho" in the United States to prevent the public from knowing the plot—and the ending.

"Hitchcock" goes behind the scenes of the production, with stars playing stars, including Scarlett Johansson as Janet Leigh, whose character was destined to die in that famous shower scene; and James D'Arcy as Anthony Perkins, playing Norman Bates, the twisted motel owner who is dominated by his mother.

Even the ghost of Gein (Michael Wincott) pops up on set, to ask Hitchcock tauntingly why he would make such a shocking film.

Why indeed. Raised a Catholic and reconciled to his faith before his death in 1980, Hitchcock can be said to have done a great disservice with "Psycho." As this film shows, he battled the Hollywood censors to allow an unprecedented degree of explicitness: In addition to the infamous shower scene, "Psycho" was also the first mainstream movie to show an unmarried couple in bed together.

There were long-term implications to Hitchcock's "victory;" his triumph over the censors contributed to the breakdown of the long-standing production code that had regulated movie content since the 1930s.

The film contains graphic recreations of movie-making violence, a scene of implied adultery, sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Fidelis of Sigmaringen: If a poor man needed some clothing, Fidelis would often give the man the clothes right off his back. Complete generosity to others characterized this saint's life. 
<p>Born in 1577, Mark Rey (Fidelis was his religious name) became a lawyer who constantly upheld the causes of the poor and oppressed people. Nicknamed "the poor man's lawyer," Fidelis soon grew disgusted with the corruption and injustice he saw among his colleagues. He left his law career to become a priest, joining his brother George as a member of the Capuchin Order. His wealth was divided between needy seminarians and the poor. </p><p>As a follower of Francis, Fidelis continued his devotion to the weak and needy. During a severe epidemic in a city where he was guardian of a friary, Fidelis cared for and cured many sick soldiers. </p><p>He was appointed head of a group of Capuchins sent to preach against the Calvinists and Zwinglians in Switzerland. Almost certain violence threatened. Those who observed the mission felt that success was more attributable to the prayer of Fidelis during the night than to his sermons and instructions. </p><p>He was accused of opposing the peasants' national aspirations for independence from Austria. While he was preaching at Seewis, to which he had gone against the advice of his friends, a gun was fired at him, but he escaped unharmed. A Protestant offered to shelter Fidelis, but he declined, saying his life was in God's hands. On the road back, he was set upon by a group of armed men and killed. </p><p>He was canonized in 1746. Fifteen years later, the Congregation for the Propagation of the Faith, which was established in 1622, recognized him as its first martyr.</p> American Catholic Blog Obedience means total surrender and wholehearted free service to the poorest of the poor. All the difficulties that come in our work are the result of disobedience.

 
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