AmericanCatholic.org
 
Skip Navigation Links
Home
Catholic News
Saints
Seasonal
Special Reports
Movies
Shopping
Donate
Share:
Facebook
Twitter
Google Plus
LinkedIn
Email
RSS Feeds
ON FAITH & MEDIA View Comments

Hitchcock

By
Joseph McAleer
Source: Catholic News Service


Anthony Hopkins stars in a scene from the movie "Hitchcock."
The Greek philosopher Aristotle observed, "There is not great genius without a mixture of madness." Case in point: "Hitchcock" (Fox Searchlight), an absorbing portrait of the legendary film director during the making of his biggest success, the 1960 horror classic "Psycho."

The "Master of Suspense" gets quite a dressing-down in this adaptation of Stephen Rebello's 1990 book "Alfred Hitchcock and the Making of Psycho," directed by newcomer Sacha Gervasi. The famously corpulent director (Anthony Hopkins, unrecognizable under layers of prosthetics) was, apparently, a psychological mess—a compulsive voyeur who fantasized about his leading ladies and terrorized his staff.

Hitchcock was also, it seems, a control freak who suspected the motives of just about everyone, even his devoted wife, Alma (Helen Mirren).

Intriguingly, Alma seems to have been his muse—and the power behind the throne. A talented editor in her own right, this endlessly patient spouse knew how to sober "Hitch" up and save the day. The tender story of their tempestuous yet faithful marriage is a high point of the film.

In 1959, Hitchcock was the world's greatest director with a string of stylish thrillers to his name, most recently "Vertigo" and "North by Northwest." But he was always searching for his next hit, and Hollywood was changing fast.

"Audiences want to be shocked," Hitchcock observes. "They want something different."

To meet the challenge, he settles on "Psycho," a sensational novel by Robert Bloch, based on the real-life case of notorious serial killer Ed Gein. The lurid story is rejected by the studio, so Hitchcock opts to go it alone, financing the movie himself and crafting a sensational publicity campaign.

At one point, he orders this staff to purchase every copy of "Psycho" in the United States to prevent the public from knowing the plot—and the ending.

"Hitchcock" goes behind the scenes of the production, with stars playing stars, including Scarlett Johansson as Janet Leigh, whose character was destined to die in that famous shower scene; and James D'Arcy as Anthony Perkins, playing Norman Bates, the twisted motel owner who is dominated by his mother.

Even the ghost of Gein (Michael Wincott) pops up on set, to ask Hitchcock tauntingly why he would make such a shocking film.

Why indeed. Raised a Catholic and reconciled to his faith before his death in 1980, Hitchcock can be said to have done a great disservice with "Psycho." As this film shows, he battled the Hollywood censors to allow an unprecedented degree of explicitness: In addition to the infamous shower scene, "Psycho" was also the first mainstream movie to show an unmarried couple in bed together.

There were long-term implications to Hitchcock's "victory;" his triumph over the censors contributed to the breakdown of the long-standing production code that had regulated movie content since the 1930s.

The film contains graphic recreations of movie-making violence, a scene of implied adultery, sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
Joseph McAleer is a guest reviewer for Catholic News Service.



Search reviews at CatholicMovieReviews.org


Thank you for your comments. Editors will review all posts before they are visible on the website.

blog comments powered by Disqus







Augustine of Hippo: A Christian at 33, a priest at 36, a bishop at 41: Many people are familiar with the biographical sketch of Augustine of Hippo, sinner turned saint. But really to get to know the man is a rewarding experience. 
<p>There quickly surfaces the intensity with which he lived his life, whether his path led away from or toward God. The tears of his mother, the instructions of Ambrose and, most of all, God himself speaking to him in the Scriptures redirected Augustine’s love of life to a life of love. </p><p>Having been so deeply immersed in creature-pride of life in his early days and having drunk deeply of its bitter dregs, it is not surprising that Augustine should have turned, with a holy fierceness, against the many demon-thrusts rampant in his day. His times were truly decadent—politically, socially, morally. He was both feared and loved, like the Master. The perennial criticism leveled against him: a fundamental rigorism. </p><p>In his day, he providentially fulfilled the office of prophet. Like Jeremiah and other greats, he was hard-pressed but could not keep quiet. “I say to myself, I will not mention him,/I will speak in his name no more./But then it becomes like fire burning in my heart,/imprisoned in my bones;/I grow weary holding it in,/I cannot endure it” (Jeremiah 20:9).</p> American Catholic Blog Lord, please fill my heart and soul with the confidence that you will always provide what I need, when I need it, and let me be obedient to you.

Walk Softly and Carry a Great Bag

 
CATHOLIC GREETINGS
St. Augustine
Catholic Greetings e-cards are reminders to explore the lives of our Catholic heroes, the saints.

St. Monica
The tears of this fourth-century mother contributed to her son's conversion to Christ.

Back to School
Students and staff will appreciate receiving an e-card from you to begin the new school year.

Praying for You
Pray for the Church, especially for those who have been ordained to the priesthood.

Happy Birthday
Best wishes for a joyous and peaceful birthday!




Come find us at: Facebook | St. Anthony Messenger magazine Twitter | American Catholic YouTube | American Catholic


An AmericanCatholic.org Site from the Franciscans and Franciscan Media Copyright © 1996 - 2015