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ON FAITH & MEDIA View Comments

Hitchcock

By
Joseph McAleer
Source: Catholic News Service


Anthony Hopkins stars in a scene from the movie "Hitchcock."
The Greek philosopher Aristotle observed, "There is not great genius without a mixture of madness." Case in point: "Hitchcock" (Fox Searchlight), an absorbing portrait of the legendary film director during the making of his biggest success, the 1960 horror classic "Psycho."

The "Master of Suspense" gets quite a dressing-down in this adaptation of Stephen Rebello's 1990 book "Alfred Hitchcock and the Making of Psycho," directed by newcomer Sacha Gervasi. The famously corpulent director (Anthony Hopkins, unrecognizable under layers of prosthetics) was, apparently, a psychological mess—a compulsive voyeur who fantasized about his leading ladies and terrorized his staff.

Hitchcock was also, it seems, a control freak who suspected the motives of just about everyone, even his devoted wife, Alma (Helen Mirren).

Intriguingly, Alma seems to have been his muse—and the power behind the throne. A talented editor in her own right, this endlessly patient spouse knew how to sober "Hitch" up and save the day. The tender story of their tempestuous yet faithful marriage is a high point of the film.

In 1959, Hitchcock was the world's greatest director with a string of stylish thrillers to his name, most recently "Vertigo" and "North by Northwest." But he was always searching for his next hit, and Hollywood was changing fast.

"Audiences want to be shocked," Hitchcock observes. "They want something different."

To meet the challenge, he settles on "Psycho," a sensational novel by Robert Bloch, based on the real-life case of notorious serial killer Ed Gein. The lurid story is rejected by the studio, so Hitchcock opts to go it alone, financing the movie himself and crafting a sensational publicity campaign.

At one point, he orders this staff to purchase every copy of "Psycho" in the United States to prevent the public from knowing the plot—and the ending.

"Hitchcock" goes behind the scenes of the production, with stars playing stars, including Scarlett Johansson as Janet Leigh, whose character was destined to die in that famous shower scene; and James D'Arcy as Anthony Perkins, playing Norman Bates, the twisted motel owner who is dominated by his mother.

Even the ghost of Gein (Michael Wincott) pops up on set, to ask Hitchcock tauntingly why he would make such a shocking film.

Why indeed. Raised a Catholic and reconciled to his faith before his death in 1980, Hitchcock can be said to have done a great disservice with "Psycho." As this film shows, he battled the Hollywood censors to allow an unprecedented degree of explicitness: In addition to the infamous shower scene, "Psycho" was also the first mainstream movie to show an unmarried couple in bed together.

There were long-term implications to Hitchcock's "victory;" his triumph over the censors contributed to the breakdown of the long-standing production code that had regulated movie content since the 1930s.

The film contains graphic recreations of movie-making violence, a scene of implied adultery, sexual innuendo and some profane and rough language. The Catholic News Service classification is A-III—adults. The Motion Picture Association of America rating is PG-13—parents strongly cautioned. Some material may be inappropriate for children under 13.

****
Joseph McAleer is a guest reviewer for Catholic News Service.



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Gregory the Great: Coming events cast their shadows before: Gregory was the prefect of Rome before he was 30. After five years in office he resigned, founded six monasteries on his Sicilian estate and became a Benedictine monk in his own home at Rome. 
<p>Ordained a priest, he became one of the pope's seven deacons, and also served six years in the East as papal representative in Constantinople. He was recalled to become abbot, and at the age of 50 was elected pope by the clergy and people of Rome. </p><p>He was direct and firm. He removed unworthy priests from office, forbade taking money for many services, emptied the papal treasury to ransom prisoners of the Lombards and to care for persecuted Jews and the victims of plague and famine. He was very concerned about the conversion of England, sending 40 monks from his own monastery. He is known for his reform of the liturgy, for strengthening respect for doctrine. Whether he was largely responsible for the revision of "Gregorian" chant is disputed. </p><p>Gregory lived in a time of perpetual strife with invading Lombards and difficult relations with the East. When Rome itself was under attack, he interviewed the Lombard king. </p><p>An Anglican historian has written: "It is impossible to conceive what would have been the confusion, the lawlessness, the chaotic state of the Middle Ages without the medieval papacy; and of the medieval papacy, the real father is Gregory the Great." </p><p>His book, <i>Pastoral Care</i>, on the duties and qualities of a bishop, was read for centuries after his death. He described bishops mainly as physicians whose main duties were preaching and the enforcement of discipline. In his own down-to-earth preaching, Gregory was skilled at applying the daily gospel to the needs of his listeners. Called "the Great," Gregory has been given a place with Augustine (August 28), Ambrose (December 7) and Jerome (September 30)as one of the four key doctors of the Western Church.</p> American Catholic Blog The pierced, open side of Christ on the cross, which makes visible the Sacred Heart of the Son of God, remains “the way in” to knowledge of Jesus Christ.

 
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