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ON FAITH & MEDIA View Comments

Rise of the Guardians

By
John Mulderig
Source: Catholic News Service


North (Alec Baldwin) welcomes Jack Frost (Chris Pine) in this scene from the animated movie "Rise of the Guardians."
What better way to spend a few hours over the holidays than in the company, not only of Santa Claus himself, but of the Easter Bunny, the Tooth Fairy and the Sandman?

Courtesy of the delightful 3-D animated adventure "Rise of the Guardians" (Paramount), moviegoers of almost all ages can do just that.

Based on books by William Joyce, the film focuses on the destiny of the legendary bringer of winter, Jack Frost (voice of Chris Pine). Free-spirited and mischievous, youthful Jack is also lonely and uncertain of his purpose in life. Until, that is, he's invited to join the Guardians, a force made up of the mythical characters listed above.

The Guardians' mission is to protect children against the machinations of the Bogeyman, aka Pitch Black (voice of Jude Law).

As the initially reluctant Jack is introduced to his newfound comrades, we discover a new slant on each traditional persona. Thus Santa, alias North (voice of Alec Baldwin), is a hardy Cossack type with a heavy Russian accent, while everyone's favorite seasonal rabbit (voice of Hugh Jackman) turns out to be a boomerang wielder from Down Under. (Parents of a certain age will recognize a play on a famous line from 1986's "Crocodile Dundee.")

The elusive distributor of quarters under children's pillows (voice of Isla Fisher) is portrayed as half-human, half-hummingbird. She's at least human, and feminine, enough that Jack's shining teeth (and, by implication, his appearance in general) set her a bit aquiver, though only in the vaguest, most innocent way. As for the chap who makes all our eyelids heavy, he's presented as a mute but cheerful and endearing sprite.

In his feature debut, director Peter Ramsey, working from a script by David Lindsay-Abaire, pits the hope and wonder championed by the Guardians against the fear and self-doubt that arm Pitch with his most effective wiles. The result is a tenderhearted and touching family movie -- one, moreover, that's entirely free of objectionable content.

This is, though, a struggle between the battling archetypes of good and evil over the fate of the world's children. So there are portions of the action that might be too dark and scary for the smallest members of the clan.

The film contains perilous situations. The Catholic News Service classification is A-I—general patronage. The Motion Picture Association of America rating is PG—parental guidance suggested. Some material may not be suitable for children.

*****
John Mulderig is on the staff of Catholic News Service.



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Monica: The circumstances of St. Monica’s life could have made her a nagging wife, a bitter daughter-in-law and a despairing parent, yet she did not give way to any of these temptations. Although she was a Christian, her parents gave her in marriage to a pagan, Patricius, who lived in her hometown of Tagaste in North Africa. Patricius had some redeeming features, but he had a violent temper and was licentious. Monica also had to bear with a cantankerous mother-in-law who lived in her home. Patricius criticized his wife because of her charity and piety, but always respected her. Monica’s prayers and example finally won her husband and mother-in-law to Christianity. Her husband died in 371, one year after his baptism. 
<p>Monica had at least three children who survived infancy. The oldest, Augustine (August 28) , is the most famous. At the time of his father’s death, Augustine was 17 and a rhetoric student in Carthage. Monica was distressed to learn that her son had accepted the Manichean heresy (all flesh is evil)  and was living an immoral life. For a while, she refused to let him eat or sleep in her house. Then one night she had a vision that assured her Augustine would return to the faith. From that time on, she stayed close to her son, praying and fasting for him. In fact, she often stayed much closer than Augustine wanted. </p><p>When he was 29, Augustine decided to go to Rome to teach rhetoric. Monica was determined to go along. One night he told his mother that he was going to the dock to say goodbye to a friend. Instead, he set sail for Rome. Monica was heartbroken when she learned of Augustine’s trick, but she still followed him. She arrived in Rome only to find that he had left for Milan. Although travel was difficult, Monica pursued him to Milan. </p><p>In Milan, Augustine came under the influence of the bishop, St. Ambrose, who also became Monica’s spiritual director. She accepted his advice in everything and had the humility to give up some practices that had become second nature to her (see Quote, below). Monica became a leader of the devout women in Milan as she had been in Tagaste. </p><p>She continued her prayers for Augustine during his years of instruction. At Easter, 387, St. Ambrose baptized Augustine and several of his friends. Soon after, his party left for Africa. Although no one else was aware of it, Monica knew her life was near the end. She told Augustine, “Son, nothing in this world now affords me delight. I do not know what there is now left for me to do or why I am still here, all my hopes in this world being now fulfilled.” She became ill shortly after and suffered severely for nine days before her death. </p><p>Almost all we know about St. Monica is in the writings of St. Augustine, especially his <i>Confessions</i>.</p> American Catholic Blog Trust always and a great deal in divine providence; never, never must you let yourselves be discouraged, despite contrary winds. I say it again: trust in God and Mary Immaculate; be faithful and forge ahead! <br />-Paulina do Coração Agonizante de Jesus

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